Guercino (1591-1666) La vergine con san Pietro piangente (St Peter Weeping before the Virgin) 1647 Oil on canvas, 122 x 159 cm Musée du Louvre, Paris
La vergine con san Pietro piangente (1647)
Tag: light
Martirio di santa Caterina (1653)
Guercino (1591-1666) Martirio di santa Caterina (Martyrdom of St Catherine) 1653 Oil on canvas, 222.5 x 159 cm Hermitage Museum, Saint Petersburg
Deposizione nel sepolcro (1656)
Guercino (1591-1666) Deposizione nel sepolcro (The Entombment) 1656 Oil on canvas, 146.7 x 221.2 cm Art Institute of Chicago, Chicago Guercino’s career is unusually well documented, in part due to the survival of his account books, which reveal that he…
Madonna del cardellino (early 1630s)
Guercino (1591-1666) Madonna del cardellino (Madonna and Child with an Escaped Goldfinch) early 1630s Red chalk on paper, 26.3 x 20.3 cm National Gallery of Art, Washington
Giuseppe e la moglie di Putifar (1649)
Guercino (1591-1666) Giuseppe e la moglie di Putifar (Joseph and Potiphar’s Wife) 1649 Oil on canvas, 123.2 x 158 cm National Gallery of Art, Washington A nude woman with pale pink skin reclines under cream-white sheets in a bed as…
Cardinale Francesco Cennini (1625)
Guercino (1591-1666) Cardinale Francesco Cennini (Cardinal Francesco Cennini) 1625 Oil on canvas, 117.4 x 96.2 cm National Gallery of Art, Washington See also: • Cennini, Francesco (1566-1645)
Amnon e Tamar (1649-1650)
Guercino (1591-1666) Amnon e Tamar (Amnon and Tamar) 1649–1650 Oil on canvas, 123 x 158.5 cm National Gallery of Art, Washington Shown from the thighs up, a light-skinned man and woman gesture dramatically, partially covered only by colorful lengths of…
Autoritratto mentre dipinge ‘Amore fedele’ (1655)
Guercino (1591-1666) Autoritratto mentre dipinge ‘Amore fedele’ (Self-Portrait before a Painting of “Amor Fedele”) 1655 Oil on canvas, 116 x 95.6 cm National Gallery of Art, Washington In this vertical portrait painting, a pale-skinned, bearded man holding a painter’s palette…
Amor virtuoso (c.1653)
Guercino (1591-1666) Amor virtuoso (Cupid Spurning Riches) c.1653 Oil on canvas, 99 x 75 cm Museo del Prado, Madrid The papal nuncio to Spain, Camillo Massimo (1620–1677), presented Guercino’s Cupid spurning Riches and Guido Reni’s Cupid with a Bow (P150)…
Visione di sant’Agostino (1636)
Guercino (1591-1666) Visione di sant’Agostino (Saint Augustine meditating on the Trinity) 1636 Oil on canvas, 185 x 166 cm Museo del Prado, Madrid According to this saint’s story, he was walking along the seaside meditating about the mystery of the…