Parmigianino (1503-1540) Conversione di san Paolo (The Conversion of St Paul) c.1527–1528 Oil on canvas, 177.5 × 128.5 cm Kunsthistorisches Museum, Vienna As the Acts of the Apostles recount, Saul was suddenly surrounded by heavenly light on his way to Damascus, where…
Parmigianino (1503-1540) Autoritratto entro uno specchio convesso (Self-portrait in a Convex Mirror) c.1523–1524 Oil on panel, diameter 24.4 cm Kunsthistorisches Museum, Vienna After his arrival in Rome, the young artist gave his self-portrait painted on a curved piece of wood to…
Correggio (c.1489-1534) Santi Pietro, Marta, Maria Maddalena e Leonardo (Saints Peter, Martha, Mary Magdalen and Leonard) c.1515 Oil on canvas, 221.6 x 161.9 cm Metropolitan Museum of Art, New York Four saints, each appearing to be lost in thought, are shown…
Millet, Jean-François (1814-1875) Leconte de Lisle c.1840–1841 Oil on canvas, 117 x 81 cm National Gallery of Art, Washington See also: • Leconte de Lisle, Charles (1818-1894)
Millet, Jean-François (1814-1875) La Baigneuse (The Bather) 1846–1848 Oil on wood, 18.5 x 24.1 cm National Gallery of Art, Washington
Millet, Jean-François (1814-1875) Portrait d’homme (Portrait of a Man) c.1845 Oil on canvas, 40.6 x 32.3 cm National Gallery of Art, Washington
Millet, Jean-François (1814-1875) Le Repos de Diane (Diana Resting) c.1845 Oil on canvas, 40.64 x 33.02 cm Los Angeles County Museum of Art, Los Angeles
Millet, Jean-François (1814-1875) Meules de foin, Automne (Haystacks: Autumn) c.1874 Oil on canvas, 85.1 x 110.2 cm Metropolitan Museum of Art, New York This picture is from a series depicting the four seasons commissioned in 1868 by the industrialist Frédéric Hartmann.…
Millais, John Everett (1829-1896) The Return of the Dove to the Ark 1851 Oil on canvas, 88.2 x 54.9 cm Ashmolean Museum, Oxford
Millais, John Everett (1829-1896) Mariana 1851 Oil on mahogany, 59.7 x 49.5 cm Tate Britain, London When it was first exhibited at the Royal Academy in 1851, this picture was accompanied by the following lines from Tennyson‘s Mariana (1830): She only said,…