Carracci, Annibale (1560-1609) Crocifissione (The Crucifixion) c.1587–1588 Oil on canvas laid on panel, 81.5 × 61.5 cm Yale University Art Gallery, New Haven
Crocifissione (c.1587-1588)
Tag: light
Piccola macelleria (c.1582)
Carracci, Annibale (1560-1609) Piccola macelleria (The Butcher’s Shop) c.1582 Oil on canvas, 59.7 x 71 cm Kimbell Art Museum, Fort Worth Around the time that he painted The Butcher’s Shop, in about 1582, Annibale Carracci joined his older cousin Ludovico and…
Ragazzo che beve (1582-1583)
Carracci, Annibale (1560-1609) Ragazzo che beve (Boy Drinking) 1582–1583 Oil on canvas, 55.8 x 43.7 cm Cleveland Museum of Art, Cleveland Together with his brother Agostino and cousin Lodovico, Annibale Carracci introduced artistic reforms in Italy based on close observation of…
La sepoltura di Cristo (1595)
Carracci, Annibale (1560-1609) La sepoltura di Cristo (The Burial of Christ) 1595 Oil on copper, 43.8 x 34.9 cm Metropolitan Museum of Art, New York This deeply moving picture was painted for one of Carracci’s patrons, Astorre di Vincenzo Sampieri, a…
Assunzione della Vergine (1600-1602)
Carracci, Annibale (1560-1609) Assunzione della Vergine (Assumption of the Virgin) 1600–1602 Oil on wood, 245 × 155 cm Cappella Cerasi, Santa Maria del Popolo, Roma
La légende des siècles (1952)
Magritte, René (1898-1967) La légende des siècles (The Legend of the Centuries) 1952 Gouache on card, 17.8 × 14.9 cm Menil Collection, Houston
Portrait of a young merchant (1541)
Holbein, Hans the Younger (c.1497-1543) Portrait of a young merchant 1541 Oil on oak, 46.5 × 34.8 cm Kunsthistorisches Museum, Vienna Holbein created a new style of portraiture that is characterized by monumentality paired with extreme painterly precision. The young businessman…
Jane Seymour (c.1536-1537)
Holbein, Hans the Younger (c.1497-1543) Jane Seymour c.1536–1537 Oil on oak, 65.5 × 47 cm Kunsthistorisches Museum, Vienna Holbein became court painter to Henry VIII of England in 1536. Among the first of his paintings in the service of the King was…
Large Self-Portrait (1652)
Rembrandt (1606-1669) Large Self-Portrait 1652 Oil on canvas, 112 × 81.5 cm Kunsthistorisches Museum, Vienna The self-portrait is of particular importance in Rembrandt‘s work. In total, the artist created over sixty painted self-portraits, which document not only his personal circumstances but…
Hélène Fourment (c.1636-1638)
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…