Tag: light

Giuditta con la sua ancella (c.1623-1625)

Gentileschi, Artemisia (1593-c.1653) Giuditta con la sua ancella (Judith and Her Maidservant with the Head of Holofernes) c.1623–1625 Oil on canvas, 187.2 × 142 × 3.3 cm Detroit Institute of Arts, Detroit This impressive composition was made by Artemisia Gentileschi, the…

Santa Maria Maddalena (c.1620)

Gentileschi, Artemisia (1593-c.1653) Santa Maria Maddalena (St. Mary Magdalene) c.1620 Oil on canvas, 146.5 x 108 cm Galleria Palatina, Palazzo Pitti, Firenze Mary Magdalen was a much-loved subject both by painters and the public because she represented the ideal model of the…

Ecce Homo (c.1525-1530)

Correggio (c.1489-1534) Ecce Homo (Christ presented to the People) c.1525–1530 Oil on poplar, 99.7 x 80 cm National Gallery, London Correggio shows Christ bound and crowned with thorns at the moment when he is condemned to be crucified by Pontius Pilate.…

Matrimonio mistico di santa Caterina (c.1527-1529)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1529 Oil on wood, 73 x 58 cm Private collection Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1531 National Gallery, London     Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1529…

Matrimonio mistico di santa Caterina (c.1527-1531)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…

Ritratto di un collezionista (c.1523)

Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…

Visione di san Girolamo (1526-1527)

Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…