Rembrandt (1606-1669) A Woman bathing in a Stream (Hendrickje Stoffels?) 1654 Oil on oak, 61.8 x 47 cm National Gallery, London Rembrandt’s painting, unique for him in its tender intimacy, shows a young woman almost up to her knees in…
Rembrandt (1606-1669) A Franciscan Friar c.1655 Oil on canvas, 89 x 66.5 cm National Gallery, London This man is wearing the habit of a Franciscan friar (this order of monks was founded to follow the teachings of Saint Francis of…
Rembrandt (1606-1669) An Elderly Man as Saint Paul probably 1659 Oil on canvas, 102 x 85.5 cm National Gallery, London Between the late 1650s and early 1660s Rembrandt painted a series of intimate half-length pictures of religious figures. He seems…
Rembrandt (1606-1669) Belshazzar’s Feast c.1636–1638 Oil on canvas, 167.6 x 209.2 cm National Gallery, London Belshazzar’s Feast was painted somewhere between 1636 and 1638, when Rembrandt was about 30 years old. He had to make his way in Amsterdam, a…
Rembrandt (1606-1669) A Bearded Man in a Cap late 1650s Oil on canvas, 78 x 66.7 cm National Gallery, London This melancholy image of an old man lost in thought is one of a group of studies made by Rembrandt…
Rembrandt (1606-1669) Anna and the Blind Tobit c.1630 Oil on oak, 63.8 x 47.7 cm National Gallery, London Even as a young man, Rembrandt was interested in the depiction of old age and aged people. He painted them as if…
Rembrandt (1606-1669) Portrait of Aechje Claesdr 1634 Oil on oak, 71.1 x 55.9 cm National Gallery, London The optical illusion created by this painting, is a powerful one. Rembrandt has used contrasts between light and dark – for example, the…
Rembrandt (1606-1669) Portrait of Titus van Rijn c.1662 Oil on canvas, 72 x 56 cm Musée du Louvre, Paris Since 1873 (Bode), considered a portrait of Titus, Rembrandt‘s son, while the painting passed for a long time (end of the…
Rembrandt (1606-1669) Venus and Cupid after 1660 Oil on canvas, 118 x 90 cm Musée du Louvre, Paris Former title: Hendrickje Stoffels as Venus For vague reasons of resemblance, the painting passes, a pure supposition of Bredius (1910), to represent…
Rembrandt (1606-1669) Portrait of Hendrickje Stoffels c.1654 Oil on canvas, 74 x 61 cm Musée du Louvre, Paris Since 1883 (Bode), the model has passed convincingly to be Hendrickje Stofetls, the painter’s partner after Saskia‘s death in 1642. Typical Neo-Vetanian…