Antonello da Messina (c.1430-1479) Ritratto di giovane (Portrait of a Young Man) c.1470 Oil on wood, 27 x 20.6 cm Metropolitan Museum of Art, New York Trained in Naples in the Netherlandish technique of oil painting, Antonello set the standard for…
Antonello da Messina (c.1430-1479) Crocifissione (Calvary) 1475 Oil on panel, 52.5 x 42.5 cm Koninklijk Museum voor Schone Kunsten, Antwerp The dead Christ hangs from the Cross on Golgotha, also known as Mount Calvary. The Virgin Mary is mourning at his…
Antonello da Messina (c.1430-1479) Cristo benedicente (Christ Blessing) c.1465 Oil on wood, 38.7 x 29.8 cm National Gallery, London Christ blesses the viewer with his right hand. Antonello has altered the original position of the fingers and hand, foreshortening them –…
Antonello da Messina (c.1430-1479) Madonna Salting (The Virgin and Child) c.1460–1469 Oil on wood, 43.2 x 34.3 cm National Gallery, London The Virgin Mary glances down at her baby son, Christ, who clutches a pomegranate in his tiny fist. The fruit,…
Antonello da Messina (c.1430-1479) Ecce Homo (Christ Crowned with Thorns) c.1475 Oil and tempera on wood, 42.5 x 30.5 cm Metropolitan Museum of Art, New York An artist of astonishing originality, Antonello combined a Netherlandish mastery of description with an Italian…
Renoir, Pierre-Auguste (1841-1919) Portrait d’Alfred Sisley (Portrait of Alfred Sisley) 1864 Oil on canvas, 81 x 65 cm Bührle Collection, Zürich See also: • Sisley, Alfred (1839-1899)
Sisley, Alfred (1839-1899) La Seine à Bougival (The Seine at Bougival) 1876 Oil on canvas, 46.4 x 61.3 cm Metropolitan Museum of Art, New York From 1872 to 1877, Sisley lived along the Seine just west of Paris, an area whose…
Sisley, Alfred (1839-1899) La Seine à Bougival (The Seine at Bougival) 1873 Oil on canvas, 46.2 x 65.2 cm Musée d’Orsay, Paris See also: • Bougival (France)
Sisley, Alfred (1839-1899) Pont de Villeneuve-la-Garenne (The Bridge at Villeneuve-la-Garenne) 1872 Oil on canvas, 49.5 x 65.4 cm Metropolitan Museum of Art, New York Recently built, state-of-the-art bridges, emblematic of modernity, appear in a number of Sisley’s paintings of the 1870s…