Tag: lion

Santi Girolamo e Giovanni Battista (c.1428-1429)

Masaccio (1401-1428) Santi Girolamo e Giovanni Battista (Saints Jerome and John the Baptist) c.1428–1429 Egg tempera on poplar, 125 x 58.9 cm National Gallery, London Saint Jerome, wearing his red cardinal’s hat, and Saint John the Baptist stand side by side…

Tentazioni di San Gerolamo (1541)

Vasari, Giorgio (1511-1574) Tentazioni di San Gerolamo (Temptations of St. Jerome) 1541 Oil on panel, 170 x 122.5 cm Galleria Palatina, Palazzo Pitti, Firenze In accordance with a literary tradition focusing on his period of solitude in the desert, St Jerome has…

San Girolamo penitente (c.1502)

Perugino (c.1446-1523) San Girolamo penitente (Penitent St. Jerome) c.1502 Oil on olive wood, 29.7 × 22.5 cm Kunsthistorisches Museum, Vienna Attributed to Perugino (c.1446-1523) Perugino was one of the first Central Italian painters to experiment with complicated oil glazes. Inspired by the…

San Girolamo (c.1482-1485)

Perugino (c.1446-1523) San Girolamo (Saint Jerome) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…

Daniel in the Lions’ Den (c.1614-1616)

Rubens, Peter Paul (1577-1640) Daniel in the Lions’ Den c.1614–1616 Oil on canvas, 224.2 x 330.5 cm National Gallery of Art, Washington The Old Testament recounts how the Persian king Darius I “The Great” (550–486 BC) condemned the devout and steadfast…

Tentazioni di sant’Antonio Abate (c.1598)

Carracci, Annibale (1560-1609) Tentazioni di sant’Antonio Abate (Christ appearing to Saint Anthony Abbot during his Temptation) c.1598 Oil on copper, 49.5 x 34.4 cm National Gallery, London A bearded man in a hair robe is being violently threatened by a horde…

The Holy Family (c.1805)

Blake, William (1757-1827) The Holy Family (also known as Christ in the Lap of Truth) c.1805 Pen, ink and brush, 37.9 x 32.5 cm Cleveland Museum of Art, Cleveland Although he rejected institutionalized religion, Blake was intensely spiritual, and much of…

Dante running from the Three Beasts (1824-1827)

Blake, William (1757-1827) Dante running from the Three Beasts 1824–1827 Pen, ink and watercolour over pencil and black chalk, 37.3 × 52.8 cm National Gallery of Victoria, Melbourne illustration for The Divine Comedy by Dante Alighieri (Inferno I, 1-90) See also:…