Monet, Claude (1840-1926) Environs de Honfleur, neige (Surroundings of Honfleur, snow) 1867 Oil on canvas, 81.5 x 102 cm Musée du Louvre, Paris See also: • Honfleur (France)
Monet, Claude (1840-1926) La débâcle près de Vétheuil (The Break-Up of the Ice near Vétheuil) 1880 Oil on canvas, 65.2 x 93 cm Musée du Louvre, Paris Compare: Monet, Claude (1840-1926) La Débâcle, temps gris 1880 Museu Calouste Gulbenkian, Lisboa Monet, Claude (1840-1926)…
Michelangelo (1475-1564) Studio di un uomo nudo, in piedi (Study of a naked man, standing) c.1524 Black stone, on red chalk lines, traces of incision with a stylus, 38.5 x 24 cm Musée du Louvre, Paris Project for one of the…
Matisse, Henri (1869-1954) Nu bleu IV (Blue Nude IV) 1952 Blue gouache and charcoal on paper, 103 x 76 cm Musée du Louvre, Paris Blue gouache and charcoal sketch on Canson paper cut out, assembled and glued directly onto white Canson…
Ingres, Jean Auguste Dominique (1780-1867) La Charité (Charity) 1842 Oil on canvas, 109.5 x 110.5 cm Musée du Louvre, Paris Circular composition: Seated woman breastfeeding a baby, another on her left arm, child clinging to her right shoulder, another standing behind…
Ingres, Jean Auguste Dominique (1780-1867) La baigneuse, dite Baigneuse de Valpinçon (The Bather, known as The Valpinçon Bather) 1808 Oil on canvas, 146 x 97.5 cm Musée du Louvre, Paris Body of a woman naked from behind seated on the edge of…
Hugo, Victor (1802-1885) Paysage avec un burg en ruine au bord d’un étang dont on distingue l’autre rive (Landscape with a ruined burg at the edge of a pond, the other side of which can be seen) 1842 Pen and…
Hugo, Victor (1802-1885) Le vieux pont (The Old Bridge) 1866 Pen, ink, wash and watercolor, 31.5 x 49.3 cm Musée du Louvre, Paris From 1834, when he went to the north of France and Belgium – where he returned every year…
Gainsborough, Thomas (1727-1788) Conversation in a Park (Gainsborough and his wife?) c.1746–1748 Oil on canvas, 73 × 68 cm Musée du Louvre, Paris An early example of a conversation piece by Gainsborough. Often compared with Gainsborough‘s drawn portrait, from the same…