Tag: love

Autoritratto mentre dipinge ‘Amore fedele’ (1655)

Guercino (1591-1666) Autoritratto mentre dipinge ‘Amore fedele’ (Self-Portrait before a Painting of “Amor Fedele”) 1655 Oil on canvas, 116 x 95.6 cm National Gallery of Art, Washington In this vertical portrait painting, a pale-skinned, bearded man holding a painter’s palette…

Amor virtuoso (c.1653)

Guercino (1591-1666) Amor virtuoso (Cupid Spurning Riches) c.1653 Oil on canvas, 99 x 75 cm Museo del Prado, Madrid The papal nuncio to Spain, Camillo Massimo (1620–1677), presented Guercino’s Cupid spurning Riches and Guido Reni’s Cupid with a Bow (P150)…

Venere e Marte (1815-1819)

Canova, Antonio (1757-1822) Venere e Marte (Venus and Mars) 1815–1819 Marble, 208 x 137 x 65.5 cm Royal Collection, Buckingham Palace, London A full length marble statue of Mars and Venus, standing. Venus stands partially draped gazing upwards at Mars, who…

Amore e Psiche (1800-1803)

Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1800–1803 Marble, h. 148 cm Hermitage Museum, Saint Petersburg Entered the Hermitage in 1815; previously in the collection of Jósephine de Beauharnais in the Castle of Malmaison near Paris. By the end…

Amore e Psiche (1796)

Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…

Amore e Psiche in piedi (c.1797)

Canova, Antonio (1757-1822) Amore e Psiche in piedi (Cupid and Psyche Standing) c.1797 Marble, height: 145.1 cm; width: 63 cm; depth: 56 cm; diameter: 74 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)

Amor sacro e amor profano (1515-1516)

Tiziano (c.1488-1576) Amor sacro e amor profano (Sacred and Profane Love) 1515–1516 Oil on canvas, 118 x 278 cm Galleria Borghese, Roma This work was probably sold to Scipione Borghese in 1608 by Cardinal Paolo Emilio Sfondrati. A veritable interpretative enigma, critics…

L’Atelier du peintre (1854-1855)

Courbet, Gustave (1819-1877) L’Atelier du peintre (The Painter’s Studio) 1854–1855 Oil on canvas, 361 x 598 cm Musée d’Orsay, Paris The enormous Studio is without doubt Courbet‘s most mysterious composition. However, he provides several clues to its interpretation: “It’s the whole world…

The Kiss (1908-1909)

Klimt, Gustav (1862-1918) The Kiss/Lovers (Der Kuss/Liebespaar) 1908 (completed 1909) Oil and gold on canvas, 180 x 180 cm Österreichische Galerie Belvedere, Vienna The Kiss (Lovers) by Gustav Klimt is the most famous Austrian painting and the highlight of the permanent collection at…