Masaccio (1401-1428) Madonna dell’Umiltà (The Madonna of Humility) 1423–1424 Tempera on panel, 105.6 x 54.1 cm National Gallery of Art, Washington A woman holding a nude baby boy sits on a blue patterned pillow on the floor in front of a…
Masaccio (1401-1428) Madonna col Bambino (The Virgin and Child) 1426 Egg tempera on wood, 134.8 x 73.5 cm National Gallery, London This was once the central panel of an altarpiece, probably a polyptych, made by Masaccio for the Carmelite church of Santa…
Correggio (c.1489-1534) Madonna in adorazione di Gesù Bambino (Madonna in Adoration of the Child Jesus) 1518–1520 Oil on canvas, 81 x 77 cm Galleria degli Uffizi, Firenze
Piero della Francesca (c.1416-1492) Madonna col Bambino e quattro angeli (Virgin and Child Enthroned with Four Angels) c.1460–1470 Oil on panel, transferred to fabric on panel, 107.8 x 78.4 cm Clark Art Institute, Williamstown
Ghirlandaio, Domenico (1448-1494) Madonna col Bambino (Madonna and Child) c.1470–1475 Tempera on panel transferred to hardboard, 70.8 x 48.9 cm National Gallery of Art, Washington Against a gold background, a blond woman is shown from the lap up, facing us as…
Perugino (c.1446-1523) Madonna col Bambino e un angelo (The Virgin and Child with an Angel) c.1496–1500 Oil and egg temera on poplar, 114 x 63.5 cm National Gallery, London This was the central panel of the predella of an altarpiece made for…
Perugino (c.1446-1523) Madonna di Loreto (The Virgin and Child with Saints Jerome and Francis) probably c.1507–1515 Oil on wood, 185.5 x 152.5 cm National Gallery, London This painting stood above the altar in a chapel built to commemorate a local carpenter, Giovanni…
Perugino (c.1446-1523) Madonna col Bambino e santi (Madonna and Child with Saints) 1493 Oil on poplar wood, 186 × 172 cm Kunsthistorisches Museum, Vienna Mary with Child and St. Peter, John the Evangelist (?), John the Baptist and Paul. Signature: On the…
Perugino (c.1446-1523) Madonna col Bambino e due sante (Madonna and Child with Two Saints) c.1493–1495 Oil on poplar wood, 86.5 × 63 cm Kunsthistorisches Museum, Vienna “PETRUS PERUSINUS PINXIT” reads the signature placed bottom left in this half-length composition. Perugino‘s handling of…