Géricault, Théodore (1791-1824) Tête d’homme guillotiné (Head of a Guillotined Man) 1818–1819 Oil on panel, 48.5 × 29.6 cm Art Institute of Chicago, Chicago Théodore Géricault painted this macabre image directly from life. The artist is known to have acquired corpses from…
Fragonard, Jean-Honoré (1732-1806) Portrait d’un homme en costume (Portrait of a Man in Costume) 1768–1770 Oil on canvas, 80.3 × 64.7 cm Art Institute of Chicago, Chicago Jean-Honoré Fragonard is perhaps best known for his light-hearted, amorous subjects, which seem to embody…
Ernst, Max (1891-1976) Dada Gauguin 1920 Gouache and ink on printed paper, 30.3 × 40 cm Art Institute of Chicago, Chicago © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris See also: • Gauguin, Paul (1848-1903)
Daumier, Honoré (1808-1879) Le collectionneur d’estampes (The Print Collector) c.1857–1863 Oil on cradled panel, 42.3 × 33 cm Art Institute of Chicago, Chicago
Cranach, Lucas the Elder (1472-1553) Adam c.1533–1537 Oil on panel, 107.5 × 36.4 cm Art Institute of Chicago, Chicago For most of his long career, Lucas Cranach the Elder was court painter to the Elector of Saxony. Although the general placement of…
Cassatt, Mary (1844-1926) Après la corrida (After the Bullfight) 1873 Oil on canvas, 82.5 × 64 cm Art Institute of Chicago, Chicago Mary Cassatt chose a quintessentially Spanish subject, executing this composition of a bullfighter, or torero, in full regalia during an…
Alma-Tadema, Lawrence (1836-1912) The Bowman (frontispiece from The Epic of Kings, Stories Retold from Firdusi) 1882 Etching in black on cream wove paper, 18.7 × 13.7 cm Art Institute of Chicago, Chicago This etching is one of two prints that Sir Lawrence…
Signorelli, Luca (c.1445-1523) Sposalizio della Vergine (The Marriage of the Virgin) c.1490–1491 Tempera on panel, 21.6 x 48 cm National Gallery of Art, Washington
Signorelli, Luca (c.1445-1523) La crocifissione (The Crucifixion) c.1504–1505 Tempera, oil, and gilding on panel, 72.5 x 101.3 cm National Gallery of Art, Washington In this horizontal painting, a crowd of more than two dozen men and women gathered shoulder to shoulder at…
Pinturicchio (c.1454-1513) Capo di un giovane che guarda in alto (Head of a Youth Looking Up) c.1485 Leadpoint and brown wash, heightened with white gouache on gray prepared paper, 25.5 x 19.5 cm National Gallery of Art, Washington