Seurat, Georges (1859-1891) Une baignade à Asnières (Bathers at Asnières) 1884 Oil on canvas, 201 × 300 cm National Gallery, London This large picture was Seurat’s first major composition, painted when he had not yet turned 25. He intended it…
Monet, Claude (1840-1926) Le Pont Neuf (The Pont Neuf) 1871 Oil on canvas, 53.34 × 73.03 cm Dallas Museum of Art, Dallas Claude Monet returned to Paris in the fall of 1871 after more than a year of exile in…
Rousseau, Henri (1844-1910) Promeneur et enfant (Stroller and Child) c.1905–1906 Oil on canvas, 55.25 × 38.42 cm Dallas Museum of Art, Dallas
Gauguin, Paul (1848-1903) Portrait d’homme (Portrait of a Man) c.1880 Oil on canvas, 27.62 × 19.05 cm Dallas Museum of Art, Dallas This small portrait head has been identified by Paul Gauguin‘s son, Pola, as a portrait of the painters’…
Chagall, Marc (1887-1985) Les amoureux (The Lovers) 1959 Watercolor on paper, 64 x 49 cm Museo Nacional de Bellas Artes, Buenos Aires See also: • Paris (France) | Tour Eiffel
Toulouse-Lautrec, Henri de (1864-1901) En observation – M.Fabre, Officier de reserve (Under observation) 1891 Oil on canvas, 60.5 x 49.5 cm Museo Nacional de Bellas Artes, Buenos Aires
Rousseau, Henri (1844-1910) Portrait du père de l’artiste (Portrait of the Artist’s Father) c.1905 Oil on canvas, 21.8 x 16 cm Museo Nacional de Bellas Artes, Buenos Aires Henri Rousseau is one of the most representative and interesting figures in…
Pueyrredón, Prilidiano (1823-1870) Ciego popular en Cádiz (Popular blind man in Cadiz) s.d. Watercolor on paper, 26.5 x 17.5 cm Museo Nacional de Bellas Artes, Buenos Aires Costumbrista scene whose main interest lies in the fact that it is a…
Pueyrredón, Prilidiano (1823-1870) Lavanderas en el bajo de Belgrano (Washerwomen in Belgrano) 1865 Oil on canvas, 102 x 126.5 cm Museo Nacional de Bellas Artes, Buenos Aires The first institutional destination of Lavanderas en el Bajo de Belgrano was the…
Pueyrredón, Prilidiano (1823-1870) Un alto en el campo (A stop on the field) 1861 Oil on canvas, 75.5 x 166.5 cm Museo Nacional de Bellas Artes, Buenos Aires The newspaper La Tribuna published commentaries most likely by Miguel Cané (Senior)…