Dürer, Albrecht (1471-1528) Christ as the Man of Sorrows c.1492–1493 Oil on panel, 19 x 30 cm Staatliche Kunsthalle, Karlsruhe Bearing the marks of martyrdom and holding the instruments used to scourge him in his hands, a pensive, exhausted man crouches…
Whistler, James Abbott McNeill (1834-1903) George W. Vanderbilt 1897–1903 Oil on canvas, 208.6 x 91.1 cm National Gallery of Art, Washington A close friend of Whistler, George Washington Vanderbilt II commissioned this full-length portrait in 1897 to hang in Biltmore House,…
Whistler, James Abbott McNeill (1834-1903) Wapping 1860–1864 Oil on canvas, 72 x 101.8 cm National Gallery of Art, Washington We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a…
Whistler, James Abbott McNeill (1834-1903) The Lime Burner 1859 Etching and drypoint on laid paper, 25.4 x 17.8 cm Victoria and Albert Museum, London During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the…
Munch, Edvard (1863-1944) Self-Portrait in Hell (Selvportrett i helvete) 1903 Oil on canvas, 82 × 66 cm Munch Museum, Oslo In this period Munch embarks on a creative quest to reinvent himself as an artist. His images from the 1890s, suddenly seem outdated. As…
Velázquez, Diego (1599-1660) El aguador de Sevilla (The Waterseller of Seville) c.1623 Oil on canvas, 107.7 x 81.3 cm Wellington Museum, London This is one of the most famous early paintings by Velázquez, produced in his home town of Seville when…
Tiziano (c.1488-1576) Le tre età dell’uomo (The Three Ages of Man) 1512–1514 Oil on canvas, 90 x 150.7 cm Scottish National Gallery, Edinburgh This early work depicts the three stages of life: infancy, adulthood and old age. Cupid clambers over the sleeping…
Tiziano (c.1488-1576) Concerto (Concert) c.1510 Oil on canvas, 86.5 x 123.5 cm Galleria Palatina, Palazzo Pitti, Firenze
Courbet, Gustave (1819-1877) L’Atelier du peintre (The Painter’s Studio) 1854–1855 Oil on canvas, 361 x 598 cm Musée d’Orsay, Paris The enormous Studio is without doubt Courbet‘s most mysterious composition. However, he provides several clues to its interpretation: “It’s the whole world…
Courbet, Gustave (1819-1877) Un enterrement à Ornans (A Burial at Ornans) 1849–1850 Oil on canvas, 315 x 668 cm Musée d’Orsay, Paris At the end of the summer of 1849, Courbet began his first monumental painting. He wanted to make it…