Canova, Antonio (1757-1822) Orfeo (Orpheus) 1777 Marble, h. 140 cm Hermitage Museum, Saint Petersburg Canova produced his first commissioned works – a pair of statues showing Orpheus and Eurydice – at the age of just 16 or 17, for his patron,…
Canova, Antonio (1757-1822) Napoleone come Marte pacificatore (Napoleon as Mars the Peacemaker) 1803–1806 Marble, h. 345 cm Wellington Museum, Apsley House, London Commissioned by Napoleon in 1802 this colossal statue of the Emperor was sculpted by Canova in Rome. Completed…
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1800–1803 Marble, h. 148 cm Hermitage Museum, Saint Petersburg Entered the Hermitage in 1815; previously in the collection of Jósephine de Beauharnais in the Castle of Malmaison near Paris. By the end…
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Chagall, Marc (1887-1985) Le Violiniste (The Fiddler) 1912–1913 Oil on linen tablecloth, 196.5 x 166.5 x 6.5 cm Stedelijk Museum, Amsterdam Marc Chagall completed The Violinist shortly after moving from St. Petersburg to Paris. It is a good example of the…
Chagall, Marc (1887-1985) Paris par la fenêtre (Paris Through the Window) 1913 Oil on canvas, 136 x 141.9 cm Guggenheim Museum, New York After Marc Chagall moved to Paris from Russia in 1910, his paintings quickly came to reflect the latest…
Degas, Edgar (1834-1917) Aux courses en province (At the Races in the Countryside) 1869 Oil on canvas, 36.5 x 55.9 cm Museum of Fine Arts, Boston At once merging and disrupting the traditional categories of landscape, genre scene, and family portrait,…
Degas, Edgar (1834-1917) La classe de danse (The Dance Class) 1873–1876 Oil on canvas, 85.5 x 75 cm Musée d’Orsay, Paris Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor…
Raffaello (1483-1520) Resurrezione di Cristo (Resurrection of Christ) 1499–1502 Oil on wood panel, 56.5 x 47 cm Museu de Arte, São Paulo Ever since he began his training in the workshop of Pietro Perugino (1446–1524), Raphael Sanzio circulated in the court…
Michelangelo (1475-1564) Battaglia dei centauri (Battle of the Centaurs) 1490–1492 Marble bas-relief, 84.5 x 88 cm Casa Buonarroti, Firenze The earliest mention of the Battle of the Centaurs is to be found in a letter written in…