Tag: mantle

Madonna col Bambino e due sante (c.1493-1495)

Perugino (c.1446-1523) Madonna col Bambino e due sante (Madonna and Child with Two Saints) c.1493–1495 Oil on poplar wood, 86.5 × 63 cm Kunsthistorisches Museum, Vienna “PETRUS PERUSINUS PINXIT” reads the signature placed bottom left in this half-length composition. Perugino‘s handling of…

Madonna del Sacco (c.1500)

Perugino (c.1446-1523) Madonna del Sacco (Madonna and Child with the Infant Saint John the Baptist and an Angel) c.1500 Oil on wood, 86.4 x 83.3 cm Galleria Palatina, Palazzo Pitti, Firenze See also: • Fancelli, Chiara (c.1470-1541)

Santa Maria Maddalena (c.1482-1485)

Perugino (c.1446-1523) Santa Maria Maddalena (Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of…

Crocifissione (c.1482-1485)

Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…

Trittico Galitzin (c.1482-1485)

Perugino (c.1446-1523) Trittico Galitzin (The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with…

Madonna col Bambino (c.1500)

Perugino (c.1446-1523) Madonna col Bambino (Madonna and Child) c.1500 Oil on poplar panel, 70.2 x 50 cm National Gallery of Art, Washington Seen from the lap up, a woman wearing a marine-blue robe over a crimson-red dress holds a nude baby…

Incoronazione della Vergine (c.1434-1435)

Angelico, Fra (c.1395-1455) Incoronazione della Vergine (Coronation of the Virgin) c.1434–1435 Tempera on poplar, 209 x 206 cm Musée du Louvre, Paris The miter-shaped cutout of the painted surface at the top is original. Main register of an altarpiece from which elements…