Tissot, James (1836-1902) La présentation de Jésus au Temple (The Presentation of Jesus in the Temple) 1886–1894 Watercolor on paper, 22.2 x 15.2 cm Brooklyn Museum, New York Forty days after the birth of Jesus, the Holy Family travels to Jerusalem…
Delacroix, Eugène (1798-1863) Desdemona maudite par son père (Desdemona Cursed by her Father) c.1852 Oil on cradled panel, 40.6 x 32.1 cm Brooklyn Museum, New York Compare: Delacroix, Eugène (1798-1863) Othello et Desdémone 1847–1849 National Gallery of Canada, Ottawa See…
Tiepolo, Giambattista (1696-1770) Scipione l’Africano libera Massiva (Scipio Africanus Freeing Massiva) 1719–1721 Oil on canvas, 279.4 x 487.6 cm Walters Art Museum, Baltimore See also: • Scipio Africanus, Publius Cornelius (236-183 BC)
Tiepolo, Giambattista (1696-1770) Madonna col Bambino (Virgin and Child) c.1720–1725 Oil on canvas, 64.3 x 48.3 cm Walters Art Museum, Baltimore
Tiepolo, Giambattista (1696-1770) Il banchetto di Cleopatra (The Banquet of Cleopatra) 1743–1744 Oil on canvas, 250.3 × 357 cm National Gallery of Victoria, Melbourne See also: • Cleopatra (69-30 BC) | Egypt
Murillo, Bartolomé Esteban (1617-1682) La Inmaculada Concepción (The Immaculate Conception) c.1665 Oil on canvas, 235 × 208 cm National Gallery of Victoria, Melbourne
Ingres, Jean Auguste Dominique (1780-1867) Vierge de l’Adoption (Virgin of the Adoption) 1858 Oil on canvas, 69.5 × 56.8 cm National Gallery of Victoria, Melbourne
Caravaggio (1571-1610) Vocazione di San Matteo (The Calling of St Matthew) 1599–1600 Oil on canvas 322 x 340 cm Cappella Contarelli, San Luigi dei Francesi, Roma
Caravaggio (1571-1610) Riposo durante la Fuga in Egitto (Rest on the Flight into Egypt) 1597 Oil on canvas, 135.5 x 166.5 cm Galleria Doria Pamphilj, Roma The “Rest” is a masterpiece of extraordinary beauty and exceptional communicative immediacy by the young…
Caravaggio (1571-1610) Negazione di San Pietro (The Denial of Saint Peter) 1610 Oil on canvas, 94 x 125.4 cm Metropolitan Museum of Art, New York Caravaggio’s late works depend for their dramatic effect on brightly lit areas standing in contrast to a…