Bellini, Giovanni (c.1430-1516) Madonna con Bambino (Samuel H. Kress Collection) 1480–1485 Oil on panel, 52.3 x 41.5 cm National Gallery of Art, Washington Shown from the waist up, a young woman holds a baby up against her chest in this vertical…
Bruegel the Elder, Pieter (c.1525-1569) The Misanthrope 1568 Tempera on canvas, 86 x 85 cm Museo di Capodimonte, Napoli
Bruegel the Elder, Pieter (c.1525-1569) Christ and the Woman Taken in Adultery 1565 Oil on panel, 24.1 x 34.4 cm Courtauld Institute of Art, London Inscription: lower left corner within image: BRVEGEL.M.D.LXV ‘Grisaille’, or painting in shades of grey, was traditionally…
Bruegel the Elder, Pieter (c.1525-1569) The Procession to Calvary 1564 Oil on oak panel, 124.3 × 170.6 × 1 cm Kunsthistorisches Museum, Vienna Inscribed at lower right: BRVEGEL. MD.LXIIII Bruegel continues the Netherlandish pictorial tradition reaching back to Jan van Eyck…
Leonardo da Vinci (1452-1519) Vergine delle rocce (Virgin of the Rocks) c.1491–1499 and 1506–1508 Oil on poplar, thinned and cradled, 189.5 x 120 cm National Gallery, London Full title: The Virgin with the Infant Saint John the Baptist adoring the Christ Child…
Leonardo da Vinci (1452-1519) L’Ultima Cena (The Last Supper) 1494–1498 Dry wall-painting, 460 x 880 cm Santa Maria delle Grazie, Milano Leonardo did not use the traditional fresco technique to paint the Last Supper and the lunettes. He chose a method that…
Leonardo da Vinci (1452-1519) Vergine delle rocce (The Virgin of the Rocks) c.1483–1486 Oil on wood transferred to canvas 199.5 x 122 cm Musée du Louvre, Paris This painting is mentioned for the first time in 1625 at the Château de Fontainebleau.…
Leonardo da Vinci (1452-1519) Annunciazione (Annunciation) c.1472 Oil on panel, 90 x 222 cm Galleria degli Uffizi, Firenze A flourishing enclosed garden, in front of a Renaissance palace, evokes the hortus conclusus that alludes to the purity of Mary. Archangel Gabriel…
Leonardo da Vinci (1452-1519) Madonna Litta mid 1490s Tempera on canvas (handed over from panel), 42 x 33 cm Hermitage Museum, St Petersburg This painting would seem to have been produced in Milan, where the artist moved in 1482. It was one…
Caravaggio (1571-1610) Vocazione dei santi Pietro e Andrea (Calling of Saints Andrew and Peter) c.1602–1604 Oil on canvas, 140.1 x 176 cm Royal Collection, Hampton Court Palace, London Christ gestures ahead while turning back to the brothers Simon (later Peter) and Andrew,…