Canova, Antonio (1757-1822) Psiche (Psyche) 1793–1794 Marble, 150 x 50 x 60 cm Kunsthalle Bremen, Bremen Taking as his inspiration the Late Antique text Asinus aureus (The Golden Ass) by Apuleius, Antonio Canova, the outstanding sculptor of Italian Neoclassicism, interpreted the…
Alma-Tadema, Lawrence (1836-1912) Spring 1894 Oil on canvas, 178.4 × 80.3 cm Getty Center, Los Angeles Barefoot young women and children adorned with flower crowns and playing musical instruments lead a procession through a city built of marble. Splashes of color,…
Memling, Hans (c.1430-1494) A Young Man at Prayer c.1475 Oil on oak, 39 x 25.4 cm National Gallery, London A pale young man, hands folded in prayer, is engaged in private devotions. The book is presumably a prayer book or a Book…
Gérôme, Jean-Léon (1824-1904) Sarah Bernhardt c.1895 Tinted marble, 69 x 41 x 29 cm Musée d’Orsay, Paris See also: • Bernhardt, Sarah (1844-1923)
Donatello (1386-1466) San Giorgio (Saint George) 1416–1417 Marble, 209 cm Museo del Bargello, Firenze
Donatello (1386-1466) Marzocco 1418–1420 Stone and marble inlays, 135.5 × 38 × 60 cm Museo del Bargello, Firenze
Lippi, Filippino (1457-1504) Madonna col Bambino e san Giovannino (The Virgin and Child with Saint John) c.1480 Tempera on poplar, 59.1 x 43.8 cm National Gallery, London At the centre of this painting is the Virgin Mary, who covers almost its entire…
Piero della Francesca (c.1416-1492) San Michele Arcangelo (Saint Michael the Archangel) completed 1469 Oil on poplar, 133 x 59.5 cm National Gallery, London The Archangel Michael led an army of angels to battle against the devil and cast him down from…
Donatello (1386-1466) Banchetto di Erode (The Banquet of Herod) c.1435 Marble, 50 x 71.3 x 5 cm Palais des Beaux-Arts, Lille In this work, Donatello, one of the greatest Renaissance sculptors, used the rilievo stiacciato (flattened relief) technique that he himself…
