Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1800–1803 Marble, h. 148 cm Hermitage Museum, Saint Petersburg Entered the Hermitage in 1815; previously in the collection of Jósephine de Beauharnais in the Castle of Malmaison near Paris. By the end…
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…
Canova, Antonio (1757-1822) Amore e Psiche in piedi (Cupid and Psyche Standing) c.1797 Marble, height: 145.1 cm; width: 63 cm; depth: 56 cm; diameter: 74 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Michelangelo (1475-1564) David 1501–1504 Carrara marble, height 517 cm Galleria dell’Accademia, Firenze
Michelangelo (1475-1564) Bacco (Bacchus) 1496–1497 Marble, h. 207 cm Museo del Bargello, Firenze
Michelangelo (1475-1564) Battaglia dei centauri (Battle of the Centaurs) 1490–1492 Marble bas-relief, 84.5 x 88 cm Casa Buonarroti, Firenze The earliest mention of the Battle of the Centaurs is to be found in a letter written in…
Michelangelo (1475-1564) Madonna della Scala (Madonna of the Stairs) c.1490 Marble bas-relief, 56.7 x 40.1 cm Casa Buonarroti, Firenze The Madonna della scala, or Madonna of the Stairs, of which no mention was made during Michelangelo’s lifetime, was cited for the…
Michelangelo (1475-1564) Pietà 1498–1499 Carrara marble, 174 x 195 cm San Pietro, Vaticano Michelangelo‘s only signature, carved across the Virgin’s sash: “Michael. Agelus. Bonarotus Florent Faciebat”. See also: Turner, Joseph (1775-1851) A Copy of Michelangelo’s Pieta 1827 Tate Britain, London
Manet, Édouard (1832-1883) La Prune (Plum Brandy) c.1877 Oil on canvas, 73.6 x 50.2 cm National Gallery of Art, Washington A woman with light skin sits facing us across a marble-topped table in a café in this vertical painting. Her body…