Canova, Antonio (1757-1822) Amore e Psiche in piedi (Cupid and Psyche Standing) c.1797 Marble, height: 145.1 cm; width: 63 cm; depth: 56 cm; diameter: 74 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Michelangelo (1475-1564) David 1501–1504 Carrara marble, height 517 cm Galleria dell’Accademia, Firenze
Michelangelo (1475-1564) Bacco (Bacchus) 1496–1497 Marble, h. 207 cm Museo del Bargello, Firenze Detail of satyr eating grapes.
Michelangelo (1475-1564) Battaglia dei centauri (Battle of the Centaurs) 1490–1492 Marble bas-relief, 84.5 x 88 cm Casa Buonarroti, Firenze
Michelangelo (1475-1564) Madonna della Scala (Madonna of the Stairs) c.1490 Marble bas-relief, 56.7 x 40.1 cm Casa Buonarroti, Firenze
Michelangelo (1475-1564) Pietà 1498–1499 Carrara marble, 174 x 195 cm San Pietro, Vaticano Michelangelo’s only signature, carved across the Virgin’s sash: “Michael. Agelus. Bonarotus Florent Faciebat”. Detail: A photograph by Aurelio Amendola, from the book “Michelangelo: La Dotta Mano”. See also:…
Manet, Édouard (1832-1883) La Prune (Plum Brandy) c.1877 Oil on canvas, 73.6 x 50.2 cm National Gallery of Art, Washington A woman with light skin sits facing us across a marble-topped table in a café in this vertical painting. Her body…
Vermeer, Jan (1632-1675) A Young Woman Standing at a Virginal (Staande Virginaalspeelster) c.1670–1672 Oil on canvas, 51.7 x 45.2 cm National Gallery, London A young woman standing at a keyboard holds our eye with a direct gaze. Suffused in the light…
Vermeer, Jan (1632-1675) A Young Woman Seated at a Virginal (Zittende virginaalspeelster) c.1670–1672 Oil on canvas, 51.5 x 45.5 cm National Gallery, London A colourful hanging tapestry has been swept to one side to reveal a young woman seated at a…