Tag: MET

Concerto di giovani (1597)

Caravaggio (1571-1610) Concerto di giovani (The Musicians) 1597 Oil on canvas, 92.1 x 118.4 cm Metropolitan Museum of Art, New York While Cupid confirms Caravaggio’s allegorical frame for representing Music, the artist equally engages with contemporary performance and individualized models, including…

Negazione di San Pietro (1610)

Caravaggio (1571-1610) Negazione di San Pietro (The Denial of Saint Peter) 1610 Oil on canvas, 94 x 125.4 cm Metropolitan Museum of Art, New York Caravaggio’s late works depend for their dramatic effect on brightly lit areas standing in contrast to a…

Matin, temps gris, Rouen (1896)

Pissarro, Camille (1830-1903) Matin, temps gris, Rouen (Morning, An Overcast Day, Rouen) 1896 Oil on canvas, 54.3 x 65.1 cm Metropolitan Museum of Art, New York While visiting Rouen in spring and fall 1896, Pissarro wrote of his interest in the…

La jetée à Cassis (1889)

Signac, Paul (1863-1935) La jetée à Cassis (The Jetty at Cassis) 1889 Oil on canvas, 46.4 x 65.1 cm Metropolitan Museum of Art, New York Between 1887 and 1891, Signac spent the warmer months pursuing his two passions, marine painting and…

Le Wagon de troisième classe (c.1862-1864)

Daumier, Honoré (1808-1879) Le Wagon de troisième classe (The Third-Class Carriage) c.1862–1864 Oil on canvas, 65.4 x 90.2 cm Metropolitan Museum of Art, New York As a graphic artist and painter, Daumier chronicled the impact of industrialization on modern urban life in…

La Blanchisseuse (1863)

Daumier, Honoré (1808-1879) La Blanchisseuse (The Laundress) 1863? Oil on oak, 48.9 x 33 cm Metropolitan Museum of Art, New York This painting depicts a subject visible from Daumier’s studio on the quai d’Anjou in Paris: laundresses returning from laundry boats…

Concarneau, calme du soir (1891)

Signac, Paul (1863-1935) Concarneau, calme du soir, Allegro Maestoso (Evening Calm, Concarneau) 1891 Oil on canvas, 64.8 x 81.3 cm Metropolitan Museum of Art, New York As Georges Seurat’s most ardent follower, Paul Signac steadfastly promoted the principles of Neo-Impressionism all his…

Jalais Hill, Pontoise (1867)

Pissarro, Camille (1830-1903) Jalais Hill, Pontoise 1867 Oil on canvas, 87 x 114.9 cm Metropolitan Museum of Art, New York This view of Pontoise, just northwest of Paris, helped establish Pissarro’s reputation as an innovative painter of the rural French landscape. The…

Gertrude Stein (1905-1906)

Picasso, Pablo (1881-1973) Gertrude Stein 1905–1906 Oil on canvas, 100 × 81.3 cm Metropolitan Museum of Art, New York The famous writer and expatriate Gertrude Stein was among the first Americans to respond enthusiastically to European avant-garde art. She held weekly salons…

Adam (1880-1881)

Rodin, Auguste (1840-1917) Adam modeled 1880 or 1881, cast 1910 Bronze, 194 × 77.2 × 82.6 cm Metropolitan Museum of Art, New York Auguste Rodin’s first commission from the French government, The Gates of Hell, was intended to be the portal…