Gentileschi, Artemisia (1593-c.1653) Santa Maria Maddalena (St. Mary Magdalene) c.1620 Oil on canvas, 146.5 x 108 cm Galleria Palatina, Palazzo Pitti, Firenze Mary Magdalen was a much-loved subject both by painters and the public because she represented the ideal model of the…
Parmigianino (1503-1540) Autoritratto entro uno specchio convesso (Self-portrait in a Convex Mirror) c.1523–1524 Oil on panel, diameter 24.4 cm Kunsthistorisches Museum, Vienna After his arrival in Rome, the young artist gave his self-portrait painted on a curved piece of wood to…
Rossetti, Dante Gabriel (1828-1882) Lady Lilith 1867 Watercolor and gouache, 51.3 x 44 cm Metropolitan Museum of Art, New York Fascinated by women’s physical allure, Rossetti here imagines a legendary femme fatale as a self-absorbed nineteenth-century beauty who combs her hair…
Carracci, Annibale (1560-1609) Autoritratto con altre figure (Self-Portrait with Other Figures) c.1593 Oil on canvas, 60 × 48 cm Pinacoteca di Brera, Milano
Rubens, Peter Paul (1577-1640) Venus at the Mirror 1613–1614 Oil on panel, 124 x 98 cm Liechtenstein Museum, Vienna
Matisse, Henri (1869-1954) Le petit déjeuner (Breakfast) 1920 Oil on canvas, 64.1 x 73.8 cm Philadelphia Museum of Art, Philadelphia
Delacroix, Eugène (1798-1863) Femmes d’Alger dans leur appartement (Women of Algiers in their Apartment) 1834 Oil on canvas, 180 × 229 cm Musée du Louvre, Paris Compare: Delacroix, Eugène (1798-1863) Femmes d’Alger dans leur intérieur 1849 Musée Fabre, Montpellier Copies: Fantin-Latour,…
Fantin-Latour, Henri (1836-1904) Copie d’après les Femmes d’Alger d’Eugène Delacroix (Copy after The Women of Algiers by Eugène Delacroix) 1876 Oil on canvas, 73.9 × 93.8 cm Musée du Louvre, Paris Compare: Delacroix, Eugène (1798-1863) Femmes d’Alger dans leur appartement 1834 Musée…
Maar, Dora (1907-1997) Jeux interdits (Forbidden Games) 1935 Gelatin silver print, montage, 28 x 21.6 cm Cleveland Museum of Art, Cleveland Maar is hardly alone among Surrealists in making works that suggest or depict sexual practices “forbidden” by society. Photography’s realism…
Whistler, James Abbott McNeill (1834-1903) The Yellow Room c.1883–1884 Watercolor and gouache on paperboard, 24.8 × 17.8 cm Metropolitan Museum of Art, New York The Yellow Room is among Whistler’s most accomplished watercolors, a harmonious “arrangement” of violet and yellow, dating…