Picasso, Pablo (1881-1973) La Maternité (Motherhood) 1901 Oil on fibre board, 100.1 × 72.9 cm National Gallery, London On loan from a private collection.
La Maternité (1901)
Tag: mother
Intérieur ensoleillé (c.1920)
Vuillard, Édouard (1868-1940) Intérieur ensoleillé (Sunlit Interior) c.1920 Distemper on paper on canvas, 83.2 x 63.8 cm Tate Britain, London This picture appears in the Bernheim-Jeune records under the title used here. Jacques Salomon wrote (20 October 1969) that it represents…
L’Esprit de géométrie (1937)
Magritte, René (1898-1967) L’Esprit de géométrie (The Spirit of Geometry) 1937 Gouache on paper, 37.5 × 29.2 cm Tate Britain, London Magritte exchanges the heads of a mother and a baby – compressing one and enlarging the other. The effect is…
The Triumph of the Innocents (1883-1884)
Hunt, William Holman (1827-1910) The Triumph of the Innocents 1883–1884 Oil on canvas, 156.2 x 254 cm Tate Britain, London Hunt began painting this subject while on a visit to the Holy Land in the 1870s. It shows Mary, Joseph and…
Study for the Christ Child in the Virgin’s Arms (1876)
Hunt, William Holman (1827-1910) Study for the Christ Child in the Virgin’s Arms 1876 Chalk on paper, 50.8 x 5.6 cm Tate Britain, London Study for the Christ Child in the Virgin’s Arms for ‘The Triumph of the Innocents’ (first version). One…
The Father’s Leave-taking (1879)
Hunt, William Holman (1827-1910) The Father’s Leave-taking 1879 Etching, 18.9 x 25.3 cm Princeton University Art Museum, Princeton Of the three founding members of the Pre-Raphaelite Brotherhood (Rossetti, Hunt, and Millais), William Holman Hunt was the most dedicated to working directly…
Rembrandt’s mother seated at a table looking right
Rembrandt (1606-1669) Rembrandt’s mother seated at a table looking right s.d. Etching on paper, 15.1 x 13.2 cm National Museum Wales, Cardiff
La famille paysanne (1871-1872)
Millet, Jean-François (1814-1875) La famille paysanne (The peasant family) 1871–1872 Oil on canvas, 110.4 x 81 cm National Museum Wales, Cardiff The British painter Sickert commented: ‘The sublime man and his stolid spouse face the spectator with all the gravity and symmetry…
Rocky landscape with Hagar and Ishmael (c.1788)
Gainsborough, Thomas (1727-1788) Rocky landscape with Hagar and Ishmael c.1788 Oil on canvas, 78.2 x 95 cm National Museum Wales, Cardiff
Ritratto di una nobildonna e suo figlio (1574)
Allori, Alessandro (1535-1607) Ritratto di una nobildonna e suo figlio (Portrait of a Noblewoman and her Son) 1574 Oil on panel, 110.5 x 87 cm Wadsworth Atheneum, Hartford
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