Guercino (1591-1666) Deposizione nel sepolcro (The Entombment) 1656 Oil on canvas, 146.7 x 221.2 cm Art Institute of Chicago, Chicago Guercino’s career is unusually well documented, in part due to the survival of his account books, which reveal that he…
Guercino (1591-1666) Abramo ripudia Agar e Ismaele (Abraham casting out Hagar and Ishmael) 1657 Oil on canvas, 115 x 154 cm Pinacoteca di Brera, Milano Guercino sets the story of Abraham, aged 100, casting out the slave Hagar and their…
Guercino (1591-1666) Cardinale Francesco Cennini (Cardinal Francesco Cennini) 1625 Oil on canvas, 117.4 x 96.2 cm National Gallery of Art, Washington See also: • Cennini, Francesco (1566-1645)
Guercino (1591-1666) Autoritratto mentre dipinge ‘Amore fedele’ (Self-Portrait before a Painting of “Amor Fedele”) 1655 Oil on canvas, 116 x 95.6 cm National Gallery of Art, Washington In this vertical portrait painting, a pale-skinned, bearded man holding a painter’s palette…
Guercino (1591-1666) Susanna e i vecchioni (Susanna and the Elders) 1617 Oil on canvas, 176 x 208 cm Museo del Prado, Madrid Historian Denis Mahon has masterfully shown that this painting and two other famous works by Guercino –Lot and…
Van Gogh, Vincent (1853-1890) Self-Portrait Dedicated to Paul Gauguin 1888 Oil on canvas, 61.5 x 50.3 cm Fogg Museum, Cambridge, MA See also: • Gauguin, Paul (1848-1903)
Gauguin, Paul (1848-1903) Autoportrait au nimbe (Self-Portrait with Halo) 1889 Oil on wood, 79.2 x 51.3 cm National Gallery of Art, Washington A dark-haired, disembodied head of a haloed man with pale, peach skin floats against a red and yellow…