Rousseau, Henri (1844-1910) Portrait de Monsieur X (Pierre Loti) 1906 Oil on canvas, 61 x 50 cm Kunsthaus Zürich, Zurich See also: • Loti, Pierre (1850-1923)
Portrait de Monsieur X, Pierre Loti (1906)
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Les représentants des puissances étrangères venant saluer la République en signe de paix (1907)
Rousseau, Henri (1844-1910) Les représentants des puissances étrangères venant saluer la République en signe de paix (The Representatives of Foreign Powers Coming to Greet the Republic as a Sign of Peace) 1907 Oil on canvas, 130.7 x 162.5 cm Musée Picasso, Paris…
Moi-même, Portrait-paysage (1890)
Rousseau, Henri (1844-1910) Moi-même, Portrait-paysage (Myself, Portrait-Landscape) 1890 Oil on canvas, 146 x 113 cm National Gallery, Prague His today greatly renowned Myself: Portrait – Landscape of 1890 depicts the then new way of the artist’s perception and reflects the artistic confidence…
Autoportrait (1895)
Rousseau, Henri (1844-1910) Autoportrait (Self-Portrait) 1895 Pen and brown ink on brown wove paper, 13.6 x 10 cm National Gallery of Art, Washington
Rendez-vous dans la forêt (1889)
Rousseau, Henri (1844-1910) Rendez-vous dans la forêt (Rendezvous in the Forest) 1889 Oil on canvas, 92 x 73 cm National Gallery of Art, Washington Beyond a dense screen of stylized, dark brown tree trunks, bending branches, and sage and moss-green leaves, a…
Portrait de l’artiste à la lampe (1903)
Rousseau, Henri (1844-1910) Portrait de l’artiste à la lampe (Self-portrait with a Lamp) 1903 Oil on canvas, 23 x 19 cm Musée Picasso, Paris Picasso in his studio holding Rousseau’s Self-portrait with a lamp and Portrait of the artist’s second wife with a lamp, which…
Les joueurs de football (1908)
Rousseau, Henri (1844-1910) Les joueurs de football (The Football Players) 1908 Oil on canvas, 100.3 x 81.1 cm Guggenheim Museum, New York Henri Rousseau endured the art-historical misfortune of being a working-class late bloomer—he was a Sunday painter who only began to…
Les artilleurs (c.1893-1895)
Rousseau, Henri (1844-1910) Les artilleurs (Artillerymen) c.1893–1895 Oil on canvas, 80.6 x 100.6 cm Guggenheim Museum, New York Henri Rousseau endured the art-historical misfortune of being a working-class late bloomer—he was a Sunday painter who only began to paint seriously in his…
The Girl with the Wineglass (c.1658-1659)
Vermeer, Jan (1632-1675) The Girl with the Wineglass (Maedchen mit weinglas) c.1658–1659 Oil on canvas, 78 x 67 cm Herzog Anton Ulrich Museum, Braunschweig Compare: Vermeer, Jan (1632-1675) The Glass of Wine 1658–1660 Gemäldegalerie, Berlin
Girl interrupted at Her Music (c.1658-1659)
Vermeer, Jan (1632-1675) Girl interrupted at Her Music (Onderbreking van de muziek) c.1658–1659 Oil on canvas, 39.4 x 44.5 cm Frick Collection, New York Music-making, a recurring subject in Vermeer’s interior scenes, was associated in the seventeenth century with courtship. In…