Murillo, Bartolomé Esteban (1617-1682) Magdalena penitente (Penitent Magdalene) c.1650–1665 Oil on canvas, 46.67 x 46.36 cm Minneapolis Institute of Arts, Minneapolis
Murillo, Bartolomé Esteban (1617-1682) Santa Rosa de Viterbo (Saint Rosa of Viterbo) c.1650 Oil on canvas, 83.3 x 64.1 cm Worcester Art Museum, Worcester
Murillo, Bartolomé Esteban (1617-1682) Los desposorios de la Virgen (The Marriage of the Virgin) c.1670 Oil on mahogany panel, 76.2 x 56.5 cm Wallace Collection, London
Murillo, Bartolomé Esteban (1617-1682) La Sagrada Familia con san Juan niño (The Holy Family with the Infant Saint John) c.1668–1670 Oil on canvas, 156 × 126 cm Museum of Fine Arts, Budapest
Murillo, Bartolomé Esteban (1617-1682) Cristo Niño distribuyendo pan a los peregrinos (The Infant Christ Distributing Bread to the Pilgrims) 1678 Oil on canvas, 219 × 182 cm Museum of Fine Arts, Budapest
Murillo, Bartolomé Esteban (1617-1682) La Inmaculada Concepción (The Immaculate Conception) 1662–1665 Oil on canvas, 172 x 298 cm Musée du Louvre, Paris Inscription: On the phylactery held by two angels: “IN PRINCIPIO DILEXIT EAM”. Part of a series of four large…
Murillo, Bartolomé Esteban (1617-1682) Dos mujeres en la ventana (Two Women at a Window) c.1655–1660 Oil on canvas, 125.1 x 104.5 cm National Gallery of Art, Washington Seville‘s most popular painter in the later 17th century was Bartolomé Esteban Murillo. While…
Murillo, Bartolomé Esteban (1617-1682) El regreso del hijo pródigo (The Return of the Prodigal Son) 1667–1670 Oil on canvas, 236.3 x 261 cm National Gallery of Art, Washington Murillo‘s great talent for dramatic painting is apparent in this monumental depiction of…