Tag: Mythology

Ragazzo con la freccia (c.1505)

Giorgione (c.1477-1510) Ragazzo con la freccia (Boy with an Arrow) c.1505 Oil on poplar, 48 × 41.8 × 2.6 cm Kunsthistorisches Museum, Vienna This bust of an idealized young man with a rich mane of curls and an arrow in…

Il Tramonto (1506-1510)

Giorgione (c.1477-1510) Il Tramonto (The Sunset) 1506–1510 Oil on canvas, 73.3 cm x 91.4 cm National Gallery, London The meaning of this scene, which takes place in a rocky landscape at sunset or sunrise, is difficult to decipher, largely because…

Venus and Cupid (after 1660)

Rembrandt (1606-1669) Venus and Cupid after 1660 Oil on canvas, 118 x 90 cm Musée du Louvre, Paris Former title: Hendrickje Stoffels as Venus For vague reasons of resemblance, the painting passes, a pure supposition of Bredius (1910), to represent…

Philemon and Baucis (1658)

Rembrandt (1606-1669) Philemon and Baucis 1658 Oil on panel transferred to panel, 54.5 x 68.5 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with…

Flora (1634)

Rembrandt (1606-1669) Flora 1634 Oil on canvas, 125 x 101 cm Hermitage Museum, Saint Petersburg Rembrandt van Rijn, the greatest artist of the Golden Age of the Dutch school, is represented in the Hermitage with remarkable fullness: besides a superb collection…

Danae (1636)

Rembrandt (1606-1669) Danae 1636 Oil on canvas, 185 x 202.5 cm Hermitage Museum, Saint Petersburg Love undoubtedly also inspired Rembrandt to produce Danaë. The subject was taken from the ancient myth about a princess of Argos, whose father, the king, was…

Helen arriving in Troy (1685-1690)

Lairesse, Gérard de (1641-1711) Helen arriving in Troy c.1685–1690 Oil on canvas, 60 x 67 cm Musée du Louvre, Paris Title: The Landing of Helen led by Paris to the palace of Priam, in Troy Former title: Landing of Cleopatra at…

Hercules between Vice and Virtue (c.1685)

Lairesse, Gérard de (1641-1711) Hercules between Vice and Virtue c.1685 Oil on canvas, 112 x 181 cm Musée du Louvre, Paris The theme comes from the famous apologue of Prodicas, transmitted by Xenophon (Memorabilia, II, 1, 21-34), often represented by painters…