Tag: navel

Visione di san Girolamo (1526-1527)

Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…

Lucrezia (c.1539)

Parmigianino (1503-1540) Lucrezia (Lucretia) c.1539 Watercolor over black chalk, 29.8 x 20.9 cm National Gallery of Art, Washington

Venere, Adone e Cupido (c.1590)

Carracci, Annibale (1560-1609) Venere, Adone e Cupido (Venus, Adonis and Cupid) c.1590 Oil on canvas, 212 x 268 cm Museo del Prado, Madrid Venus, the Roman goddess of Love and Beauty, is accidentally wounded by one of her son Cupid’s arrows,…

Giovane Satiro che raccoglie l’uva (1597-1600)

Carracci, Annibale (1560-1609) Giovane Satiro che raccoglie l’uva (Young Satyr gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London A naked young satyr, just like a little boy but with pointed ears and a curly tail,…

Marsia e Olimpo (1597-1600)

Carracci, Annibale (1560-1609) Marsia e Olimpo (Marsyas and Olympus) 1597–1600 Oil on wood, 34.4 x 84.2 cm National Gallery, London A naked golden-haired youth sits on a rock, playing the panpipes; another set of pipes hangs from the tree behind him.…

San Sebastiano (c.1457-1459)

Mantegna, Andrea (c.1431-1506) San Sebastiano (St. Sebastian) c.1457–1459 Oil on poplar, 68 × 30 cm Kunsthistorisches Museum, Vienna Sebastian was the leader of the bodyguard of the Roman emperor Diocletian and was sentenced to death for his Christian faith. The saint…

Crucifixion of Christ (c.1500-1501)

Cranach, Lucas the Elder (1472-1553) Crucifixion of Christ c.1500–1501 Oil on lime, 58.5 × 45 cm Kunsthistorisches Museum, Vienna The small-format panel, which was probably used for private devotion, dates from Cranach‘s first known creative period, which the artist spent in…

Bacchus (1638-1640)

Rubens, Peter Paul (1577-1640) Bacchus 1638–1640 Oil on canvas, 191 x 161.3 cm Hermitage Museum, Saint Petersburg Bacchanalia was a favourite theme in Rubens‘s work, although Bacchus himself was rarely the subject of his paintings. He saw the subject as reflecting…