Tag: navel

Danae (after 1554)

Tiziano (c.1488-1576) & Workshop Danae after 1554 Oil on canvas Art Institute of Chicago, Chicago (on loan) Extended loan from the Barker Welfare Foundation, New York, New York.

Venere con organista e cagnolino (c.1550)

Tiziano (c.1488-1576) Venere con organista e cagnolino (Venus with an Organist and a Little Dog) c.1550 Oil on canvas, 138 x 222.4 x 3.5 cm Museo del Prado, Madrid In contrast to the paintings created for the Camerino d’Alabastro and the…

Venere e il suonatore di liuto (1565-1570)

Tiziano (c.1488-1576) & Workshop Venere e il suonatore di liuto (Venus and the Lute Player) c.1565–1570 Oil on canvas, 165.1 x 209.6 cm Metropolitan Museum of Art, New York Venus, the goddess of love, interrupts her music making to be crowned…

La Calunnia (1496-1497)

Botticelli, Sandro (c.1445-1510) La Calunnia (Calumny of Apelles) c.1496–1497 Tempera on panel, 62 x 91 cm Galleria degli Uffizi, Firenze

Nascita di Venere (c.1485)

Botticelli, Sandro (c.1445-1510) Nascita di Venere (Birth of Venus) c.1485 Tempera on canvas, 172.5 x 278.5 cm Galleria degli Uffizi, Firenze Known as the “Birth of Venus”, the composition actually shows the goddess of love and beauty arriving on land, on the…

San Sebastiano (c.1478)

Antonello da Messina (c.1430-1479) San Sebastiano (St. Sebastian) c.1478 Oil on canvas transferred from wood, 171 x 85.5 cm Gemäldegalerie Alte Meister, Dresden Antonello da Messina set the martyrdom of St. Sebastian in Venice, as can be seen from the waterways…

Paride (1816)

Canova, Antonio (1757-1822) Paride (Paris) 1816 Marble, 203.7 x 103.7 x 55 cm Neue Pinakothek, Munich Paris, the son of the Trojan king Priam, had been abandoned as a child and found and raised by shepherds. The apple in his right hand…

Dedalo e Icaro (1777-1779)

Canova, Antonio (1757-1822) Dedalo e Icaro (Daedalus and Icarus) 1777–1779 Marble, 182 x 95 cm Museo Correr, Venezia This famous sculpture, his first large one in marble, is the masterpiece of Antonio Canova‘s Venetian youth. It was created for the procurator…

Paolina Borghese Bonaparte come Venere Vincitrice (1804-1808)

Canova, Antonio (1757-1822) Paolina Borghese Bonaparte come Venere Vincitrice (Paolina Borghese Bonaparte as Venus Victrix) 1804–1808 Carrara marble, 160 x 92 cm Galleria Borghese, Roma Portrayed by Antonio Canova in the guise Venus victorious in the Judgement of Paris, Pauline Borghese…

Amore e Psiche (1796)

Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…