Tag: NG

A View in Cologne (c.1660-1665)

Van der Heyden, Jan (1637-1712) A View in Cologne c.1660–1665 Oil on oak, 33.1 x 42.9 cm National Gallery, London This is one of at least four versions that Jan van der Heyden made of this scene of Cologne and its half-built…

A Farm among Trees (c.1670)

Van der Heyden, Jan (1637-1712) A Farm among Trees c.1670 Oil on oak, 22.1 x 28.8 cm National Gallery, London There is something rather mysterious about this rare – and tiny – landscape by Jan van der Heyden, who specialised in painting…

View of the Westerkerk, Amsterdam (1660)

Van der Heyden, Jan (1637-1712) View of the Westerkerk, Amsterdam probably 1660 Oil on oak, 90.7 x 114.5 cm National Gallery, London This is one of the ultimate seventeenth-century examples of what today we might think of as a high-resolution image.…

A Man (c.1435)

Campin, Robert (c.1378-1444) A Man c.1435 Oil with egg tempera on oak, 40.7 x 28.1 cm National Gallery, London This striking portrait of a man in a red hat forms a pair with Campin’s A Woman – the sitters were clearly husband…

A Woman (c.1435)

Campin, Robert (c.1378-1444) A Woman c.1435 Oil with egg tempera on oak, 40.6 x 28.1 cm National Gallery, London This striking portrait of a woman forms a pair with Campin’s portrait A Man: the sitters were clearly married. We don’t know…

A Young Man at Prayer (c.1475)

Memling, Hans (c.1430-1494) A Young Man at Prayer c.1475 Oil on oak, 39 x 25.4 cm National Gallery, London A pale young man, hands folded in prayer, is engaged in private devotions. The book is presumably a prayer book or a Book…

Virgin and Child (c.1475)

Memling, Hans (c.1430-1494) Virgin and Child c.1475 Oil on oak, 37.9 x 28 cm National Gallery, London The Virgin Mary, bareheaded and richly dressed, holds the naked Christ Child, who rests on a white cushion on a ledge of purple-grey veined…

Ludovico Ariosto (c.1510)

Tiziano (c.1488-1576) Ludovico Ariosto (or Gerolamo (?) Barbarigo) c.1510 Oil on canvas, 81.2 x 66.3 cm National Gallery, London Titian painted portraits more frequently than any other type of picture and he painted them throughout his long career. This is one of…

Charity (c.1627-1628)

Van Dyck, Anthony (1599-1641) Charity c.1627–1628 Oil on oak, 148.2 x 107.5 cm National Gallery, London In his first letter to the Corinthians, Saint Paul outlines the importance of faith, hope and charity, naming charity as the greatest of the three.…