Angelico, Fra (c.1395-1455) San Romolo (Saint Romulus) c.1423–1424 Egg tempera on wood, 16 x 15.6 cm National Gallery, London We can piece together who this saint is: his mitre (hat) and crosier (crook) identify him as a bishop, and a faint inscription…
Angelico, Fra (c.1395-1455) I precursori di Cristo con santi e martiri (The Forerunners of Christ with Saints and Martyrs) c.1423–1424 Egg tempera on wood, 31.9 x 63.5 cm National Gallery, London This panel comes from the predella (the lowest part) of an…
Angelico, Fra (c.1395-1455) La Vergine Maria con gli apostoli e gli altri santi (The Virgin Mary with the Apostles and Other Saints) c.1423–1424 Egg tempera on wood, 32 x 64 cm National Gallery, London This panel comes from the predella (the lowest…
Angelico, Fra (c.1395-1455) Cristo glorificato nella corte del cielo (Christ Glorified in the Court of Heaven) c.1423–1424 Egg tempera on wood, 31.7 x 73 cm National Gallery, London Christ, hovering on wispy clouds, is surrounded by angels who sing, dance and play…
Cimabue (1240-1302) Maestà con due angeli (The Virgin and Child with Two Angels) c.1280–1285 Egg tempera on wood, 25.6 × 20.8 cm National Gallery, London This is one of the earliest paintings in the National Gallery’s collection and a rare surviving…
Correggio (c.1489-1534) Ecce Homo (Christ presented to the People) c.1525–1530 Oil on poplar, 99.7 x 80 cm National Gallery, London Correggio shows Christ bound and crowned with thorns at the moment when he is condemned to be crucified by Pontius Pilate.…
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…
Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Carracci, Annibale (1560-1609) Domine, quo vadis? (Christ appearing to Saint Peter on the Appian Way) 1601–1602 Oil on wood, 77.4 x 56.3 cm National Gallery, London Saint Peter fled Rome after Christ’s crucifixion, scared that he too would be executed by…