Whistler, James Abbott McNeill (1834-1903) Mother of Pearl and Silver: The Andalusian c.1888 (?)-1900 Oil on canvas, 191.5 x 89.8 cm National Gallery of Art, Washington Ethel Philip, Whistler‘s sister-in-law and a favorite subject of the artist, whose likeness appears in…
Whistler, James Abbott McNeill (1834-1903) Grey and Silver: Chelsea Wharf c.1864–1868 Oil on canvas, 61 x 46 cm National Gallery of Art, Washington See also: • Chelsea (London)
Whistler, James Abbott McNeill (1834-1903) Symphony in White, No. 1: The White Girl 1861–1863, 1872 Oil on canvas, 213 x 107.9 cm National Gallery of Art, Washington When Whistler submitted The White Girl to the Paris Salon in 1863, the tradition–bound…
Whistler, James Abbott McNeill (1834-1903) Wapping 1860–1864 Oil on canvas, 72 x 101.8 cm National Gallery of Art, Washington We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a…
Corot, Jean-Baptiste-Camille (1796-1875) Agostina 1866 Oil on canvas, 132.4 x 97.6 cm National Gallery of Art, Washington This model was likely an immigrant from the rural region near Rome. Corot dressed her in traditional costume and placed her in an Italian…
Goya, Francisco de (1746-1828) Doña Teresa Sureda (Thérèse Louise de Sureda) c.1803–1804 Oil on canvas, 119.7 x 79.4 cm National Gallery of Art, Washington See also: • Sureda, Teresa
Goya, Francisco de (1746-1828) Bartolomé Sureda y Miserol c.1803–1804 Oil on canvas, 119.7 x 79.3 cm National Gallery of Art, Washington Shown from the knees up, a cleanshaven, young man with pale, peachy skin leans on his right elbow, to our left,…
Goya, Francisco de (1746-1828) María Teresa de Borbón y Vallabriga, later Condesa de Chinchón 1783 Oil on canvas, 134.5 x 117.5 cm National Gallery of Art, Washington A young girl with pale skin, rosy cheeks, and blond hair stands facing us…
Dalí, Salvador (1904-1989) El Sacramento de la Última Cena (The Sacrament of the Last Supper) 1955 Oil on canvas, 166.7 cm × 267 cm National Gallery of Art, Washington One transparent, ghostly man sits and twelve more people wearing long robes…
Van Eyck, Jan (c.1390-1441) The Annunciation c.1434–1436 Oil on canvas transferred from panel, 90.2 x 34.1 cm National Gallery of Art, Washington The Annunciation described by Saint Luke is interpreted in terms of actuality in this painting, which was probably once…