Canova, Antonio (1757-1822) Paride (Paris) 1816 Marble, 203.7 x 103.7 x 55 cm Neue Pinakothek, Munich Paris, the son of the Trojan king Priam, had been abandoned as a child and found and raised by shepherds. The apple in his right hand…
Canova, Antonio (1757-1822) Dedalo e Icaro (Daedalus and Icarus) 1777–1779 Marble, 182 x 95 cm Museo Correr, Venezia This famous sculpture, his first large one in marble, is the masterpiece of Antonio Canova‘s Venetian youth. It was created for the procurator…
Canova, Antonio (1757-1822) Euridice (Eurydice) 1775–1776 Marble, 203 x 54 x 56 cm Museo Correr, Venezia Companion: Canova, Antonio (1757-1822) Orfeo 1775–1776 Museo Correr, Venezia
Canova, Antonio (1757-1822) Orfeo (Orpheus) 1775–1776 Marble, 203 x 54 x 56 cm Museo Correr, Venezia Companion: Canova, Antonio (1757-1822) Euridice 1775–1776 Museo Correr, Venezia
Canova, Antonio (1757-1822) Orfeo (Orpheus) 1777 Marble, h. 140 cm Hermitage Museum, Saint Petersburg Canova produced his first commissioned works – a pair of statues showing Orpheus and Eurydice – at the age of just 16 or 17, for his patron,…
Canova, Antonio (1757-1822) Paolina Borghese Bonaparte come Venere Vincitrice (Paolina Borghese Bonaparte as Venus Victrix) 1804–1808 Carrara marble, 160 x 92 cm Galleria Borghese, Roma Portrayed by Antonio Canova in the guise Venus victorious in the Judgement of Paris, Pauline Borghese…
Raffaello (1483-1520) La Fornarina (Portrait of a Young Woman) c.1520 Oil on panel, 87 x 63 cm Palazzo Barberini, Roma The subject of this portrait, according to tradition, was Raphael’s inspirational muse and mistress: Margherita Luti, the daughter of a baker in…
Raffaello (1483-1520) Pietà c.1503–1505 Oil on poplar panel, 23.6 x 28.8 cm Isabella Stewart Gardner Museum, Boston Not satisfied with a single Raphael painting, Isabella Stewart Gardner waited just two years before purchasing her second work by the artist. This small panel,…
Tiziano (c.1488-1576) Ecce Homo 1547 Oil on slate, 69 x 56 cm Museo del Prado, Madrid Although we do not know when Titian first treated this subject, it was probably in 1535, when he painted a Christ for Federico Gonzaga following a…
Matisse, Henri (1869-1954) Luxe, calme et volupté (Luxury, Calm and Pleasure) 1904 Oil on canvas, 98.5 x 118.5 x 2.2 cm Musée National d’Art Moderne, Paris © Succession H. Matisse, Paris Luxe, calme et volupté testifies to the work Henri Matisse…