Carracci, Annibale (1560-1609) Venere, Adone e Cupido (Venus, Adonis and Cupid) c.1590 Oil on canvas, 212 x 268 cm Museo del Prado, Madrid Venus, the Roman goddess of Love and Beauty, is accidentally wounded by one of her son Cupid’s arrows,…
Carracci, Annibale (1560-1609) Sileno che raccoglie l’uva (Silenus gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London Using an animal skin, two laughing satyrs with pointed ears and short tails – although without the usual hairy…
Carracci, Annibale (1560-1609) Giovane Satiro che raccoglie l’uva (Young Satyr gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London A naked young satyr, just like a little boy but with pointed ears and a curly tail,…
Carracci, Annibale (1560-1609) Marsia e Olimpo (Marsyas and Olympus) 1597–1600 Oil on wood, 34.4 x 84.2 cm National Gallery, London A naked golden-haired youth sits on a rock, playing the panpipes; another set of pipes hangs from the tree behind him.…
Magritte, René (1898-1967) La folie des grandeurs (Megalomania) 1967 Bronze, 154.9 × 121.9 × 82.2 cm Menil Collection, Houston
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Mantegna, Andrea (c.1431-1506) San Sebastiano (St. Sebastian) c.1457–1459 Oil on poplar, 68 × 30 cm Kunsthistorisches Museum, Vienna
Tintoretto, Jacopo (1518-1594) Susanna e i vecchioni (Susanna and the Elders) c.1560 Oil on canvas, 167 x 238 cm Musée du Louvre, Paris Compare: Tintoretto, Jacopo (1518-1594) Susanna e i Vecchioni 1552–1555 Museo del Prado, Madrid Tintoretto, Jacopo (1518-1594) Susanna e i vecchioni…
Tiziano (c.1488-1576) Ninfa e pastore (Nymph and shepherd) c.1570–1575 Oil on canvas, 149.6 × 187 cm Kunsthistorisches Museum, Vienna
Rubens, Peter Paul (1577-1640) Aeolus early 17th century Oil on canvas, 140 x 126 cm Museo del Prado, Madrid This work, together with Vulcano y el fuego (P1717), has been considered part of a possible series of four paintings that would…