Tag: nude

Sileno che raccoglie l’uva (1597-1600)

Carracci, Annibale (1560-1609) Sileno che raccoglie l’uva (Silenus gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London Using an animal skin, two laughing satyrs with pointed ears and short tails – although without the usual hairy…

Giovane Satiro che raccoglie l’uva (1597-1600)

Carracci, Annibale (1560-1609) Giovane Satiro che raccoglie l’uva (Young Satyr gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London A naked young satyr, just like a little boy but with pointed ears and a curly tail,…

Marsia e Olimpo (1597-1600)

Carracci, Annibale (1560-1609) Marsia e Olimpo (Marsyas and Olympus) 1597–1600 Oil on wood, 34.4 x 84.2 cm National Gallery, London A naked golden-haired youth sits on a rock, playing the panpipes; another set of pipes hangs from the tree behind him.…

Hélène Fourment (c.1636-1638)

Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…

San Sebastiano (c.1457-1459)

Mantegna, Andrea (c.1431-1506) San Sebastiano (St. Sebastian) c.1457–1459 Oil on poplar, 68 × 30 cm Kunsthistorisches Museum, Vienna Sebastian was the leader of the bodyguard of the Roman emperor Diocletian and was sentenced to death for his Christian faith. The saint…

Susanna e i vecchioni (c.1560)

Tintoretto, Jacopo (1518-1594) Susanna e i vecchioni (Susanna and the Elders) c.1560 Oil on canvas, 167 x 238 cm Musée du Louvre, Paris Compare: Tintoretto, Jacopo (1518-1594) Susanna e i Vecchioni 1552–1555 Museo del Prado, Madrid     Tintoretto, Jacopo (1518-1594) Susanna e i vecchioni…

Ninfa e pastore (c.1570-1575)

Tiziano (c.1488-1576) Ninfa e pastore (Nymph and shepherd) c.1570–1575 Oil on canvas, 149.6 × 187 cm Kunsthistorisches Museum, Vienna The theme on which the picture is based has not yet been satisfactorily clarified, but Titian raised it to the mythical level…

Aeolus (early 17th century)

Rubens, Peter Paul (1577-1640) Aeolus early 17th century Oil on canvas, 140 x 126 cm Museo del Prado, Madrid This work, together with Vulcano y el fuego (P1717), has been considered part of a possible series of four paintings that would…

Bacchus (1638-1640)

Rubens, Peter Paul (1577-1640) Bacchus 1638–1640 Oil on canvas, 191 x 161.3 cm Hermitage Museum, Saint Petersburg Bacchanalia was a favourite theme in Rubens‘s work, although Bacchus himself was rarely the subject of his paintings. He saw the subject as reflecting…