Bracquemond, Félix (1833-1914) Le Bain (The Bath) c.1900 Brush, ink, chalk and gouache, 59.1 x 44 cm Cleveland Museum of Art, Cleveland Bracquemond drew extensively and promoted the medium as the source of all artistic practice. This drawing relates to Félix…
Bouguereau, William-Adolphe (1825-1905) Bacchante sur une panthère (Bacchante on a Panther) 1855 Oil on fabric, 71.3 x 111.8 cm Cleveland Museum of Art, Cleveland Arion on a Sea Horse and Bacchante on a Panther (pair). These paintings are from a series…
Claudel, Camille (1864-1943) L’Implorante (The Implorer) modeled 1898, cast c.1905 Bronze, 27.9 × 36.8 × 21.3 cm, 5.3 kg Metropolitan Museum of Art, New York Camille Claudel, Rodin’s most brilliant student, was consumed by her twelve-year affair with the sculptor. In…
Valadon, Suzanne (1865-1938) Nu couché (Reclining Nude) 1928 Oil on cardboard, 60 x 80.48 cm Metropolitan Museum of Art, New York Suzanne Valadon posed as a model for the artists Renoir, Degas, and Toulouse-Lautrec before she began painting herself in 1893.…
Matisse, Henri (1869-1954) Danse I (Dance I) 1909 Oil on canvas, 259.7 x 390.1 cm Museum of Modern Art, New York See also: Matisse, Henri (1869-1954) Capucines avec le tableau “Danse” I 1912 Metropolitan Museum of Art, New York
Mantegna, Andrea (c.1431-1506) Baccanale con un tino di vino (Bacchanal with a Wine Vat) c.1470–1490 Engraving and drypoint, 29.9 x 43.7 cm Metropolitan Museum of Art, New York Throughout his life, Mantegna was fascinated with classical antiquity. In the middle of…
Legros, Alphonse (1837-1911) Torse (Torso) 1892 Plaster, h. 54.6 cm Metropolitan Museum of Art, New York
Cagnacci, Guido (1601-1663) La Morte di Cleopatra (The Death of Cleopatra) c.1645–1655 Oil on canvas, 95 × 75 cm Metropolitan Museum of Art, New York The subject, from Plutarch’s Lives (1st century A.D.), is Cleopatra’s suicide by an asp bite following the…
Brueghel, Jan the Younger (1601-1678) Aeneas and the Sibyl in the Underworld 1630s Oil on copper, 26.7 x 35.9 cm Metropolitan Museum of Art, New York This infernal image of the 1630s was inspired by the “hell landscapes” of Jan Brueghel…
Blake, William (1757-1827) God Judging Adam c.1795 Relief etching, printed in color and finished with pen and ink and watercolor, 42.5 x 52.7 cm Metropolitan Museum of Art, New York A nude and aged Adam, newly aware of his own nakedness and…