Tag: nude

La Femme aux bas blancs (1864)

Courbet, Gustave (1819-1877) La Femme aux bas blancs (Woman with White Stockings) 1864 Oil on canvas, 65 x 81 cm Barnes Foundation, Philadelphia Traditionally, European painters made the nude subject decorous by presenting it as part of an edifying mythological narrative.…

Mauvaise surprise (1901)

Rousseau, Henri (1844-1910) Mauvaise surprise (Unpleasant Surprise) 1901 Oil on canvas, 194.6 x 129.9 cm Barnes Foundation, Philadelphia The large-scale jungle scenes of Henri Rousseau are rife with violent struggles between wild animals such as lions, tigers, and horses. Here, a…

Haere Pape (1892)

Gauguin, Paul (1848-1903) Haere Pape 1892 Oil on canvas, 91.4 x 67.3 cm Barnes Foundation, Philadelphia Fed up with industrialized Europe, Paul Gauguin went to Tahiti in 1891 seeking a simpler, more “primitive” way of life, one uncorrupted by modern technology…

La Leçon de musique (1917)

Matisse, Henri (1869-1954) La Leçon de musique (The Music Lesson) 1917 Oil on canvas, 245.1 x 210.8 cm Barnes Foundation, Philadelphia Matisse set this portrait of his wife, daughter, and two sons in the living room of the family home in…

Nu couché (1923-1924)

Matisse, Henri (1869-1954) Nu couché (Reclining Nude) 1923–1924 Oil on canvas, 60 x 92 cm Barnes Foundation, Philadelphia Matisse painted this work in Nice, a city in the South of France that he visited frequently in the 1920s. The canvas is…

Avant le bain (c.1875)

Renoir, Pierre-Auguste (1841-1919) Avant le bain (Before the Bath) c.1875 Oil on canvas, 82 x 66.5 cm Barnes Foundation, Philadelphia When Renoir first exhibited this painting publicly, at an 1875 auction in Paris, audiences were shocked by its naturalism. Rather than…

Léda au cygne (c.1880)

Cézanne, Paul (1839-1906) Léda au cygne (Leda and the Swan) c.1880 (possibly later) Oil on canvas, 59.7 x 74.9 cm Barnes Foundation, Philadelphia This picture is unusual in Cézanne‘s oeuvre for its specific literary subject matter. It represents the story from Ovid‘s…

Femme allongée (1922)

Léger, Fernand (1881-1955) Femme allongée (Reclining Woman) 1922 Oil on canvas, 64.5 × 92 cm Art Institute of Chicago, Chicago Fernand Léger first saw the work of the Cubists Georges Braque and Pablo Picasso at the Paris gallery of Daniel-Henry Kahnweiler.…

L’invention des monstres (1937)

Dalí, Salvador (1904-1989) L’invention des monstres (Invention of the monsters) 1937 Oil on canvas, 51.4 x 78.1 cm Art Institute of Chicago, Chicago © Salvador Dalí, Fundació Gala-Salvador Dalí / Artists Rights Society (ARS), New York, 2018 Salvador Dalí, Surrealism’s most…