Canova, Antonio (1757-1822) Paolina Borghese Bonaparte as Venus Victrix 1805–1808 Marble, 160 x 92 cm Galleria Borghese, Roma See also: • Pauline Bonaparte, Princess Borghese (1780-1825)
Canova, Antonio (1757-1822) Le tre Grazie (Three Graces) 1813–1816 Marble, h. 182 cm Hermitage Museum, Saint Petersburg A late work by Canova, The Three Graces was produced at a time when the artist was so famous that the public eagerly awaited…
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…
Canova, Antonio (1757-1822) Amore e Psiche in piedi (Cupid and Psyche Standing) c.1797 Marble, height: 145.1 cm; width: 63 cm; depth: 56 cm; diameter: 74 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Raffaello (1483-1520) Piccola Madonna Cowper (Small Cowper Madonna) c.1505 Oil on panel, 59.5 x 44 cm National Gallery of Art, Washington A woman and nude child, both with pale skin, sit in front of a deep landscape in this vertical painting.…
Raffaello (1483-1520) Le Tre Grazie (The Three Graces) 1504–1505 Oil on panel, 17 x 17 cm Musée Condé, Chantilly Pair: Raffaello (1483-1520) Il sogno del cavaliere c.1504 National Gallery, London
Raffaello (1483-1520) La Fornarina (Portrait of a Young Woman) c.1518–1520 Oil on panel, 87 x 63 cm Galleria Nazionale d’Arte Antica, Roma Compare: Ingres, Jean Auguste Dominique (1780-1867) Raphaël et la Fornarina 1814 Fogg Museum, Cambridge, MA Ingres, Jean Auguste Dominique (1780-1867)…