Tag: nude

The Sin (1901)

Munch, Edvard (1863-1944) The Sin (Woman with Red Hair and Green Eyes) 1901 Color lithograph, 69.8 x 40.2 cm Cleveland Museum of Art, Cleveland The fatal women and embracing couples in Picasso’s art of the early 1900s exhibit striking affinities with…

Olympia (1867)

Manet, Édouard (1832-1883) Olympia 1867 Etching Cleveland Museum of Art, Cleveland Manet‘s model, Victorine Meurent, was herself a successful painter who showed her work at Paris‘s salon. When Edouard Manet’s painting Olympia was exhibited in Paris in 1865, it was met by…

The Four Rivers of Paradise (c.1615)

Rubens, Peter Paul (1577-1640) The Four Rivers of Paradise c.1615 Oil on canvas, 208 × 283 cm Kunsthistorisches Museum, Vienna Compare: Bernini, Gian Lorenzo (1598-1680) Fontana dei Fiumi 1651 Piazza Navona, Roma    

Susanna e i vecchioni (c.1555-1556)

Tintoretto, Jacopo (1518-1594) Susanna e i vecchioni (Susanna and the Elders) c.1555–1556 Oil on canvas, 146 × 193.6 cm Kunsthistorisches Museum, Vienna Compare: Tintoretto, Jacopo (1518-1594) Susanna e i Vecchioni 1552–1555 Museo del Prado, Madrid     Tintoretto, Jacopo (1518-1594) Susanna e…

Bacco e Arianna (1520-1523)

Tiziano (c.1488-1576) Bacco e Arianna (Bacchus and Ariadne) 1520–1523 Oil on canvas, 176.5 x 191 cm National Gallery, London Titian’s Bacchus and Ariadne is one of the finest and most famous paintings in the National Gallery. The Cretan princess Ariadne has…

Mort de Sardanapale (1827)

Delacroix, Eugène (1798-1863) Mort de Sardanapale (Death of Sardanapalus) 1827 Oil on canvas, 392 cm × 496 cm Musée du Louvre, Paris “The rebels besieged him in his palace… Lying on a superb bed, at the top of an immense pyre,…

Danae e la pioggia d’oro (1621-1623)

Gentileschi, Orazio (1563-1639) Danae e la pioggia d’oro (Danae and the Shower of Gold) 1621–1623 Oil on canvas, 161.5 × 227.1 cm Getty Center, Los Angeles This painting is part of a series of works executed by Gentileschi in 1622 for…

Danae (c.1623)

Gentileschi, Orazio (1563-1639) Danae c.1623 Oil on canvas, 162 x 228.5 cm Cleveland Museum of Art, Cleveland The gauzy scarf draped over Danaë was a studio prop present in many of Orazio‘s paintings. Danaë’s father feared a prophecy that his grandson…