Ensor, James (1860-1949) Les Tribulations de Saint Antoine (Tribulations of Saint Anthony) 1887 Oil on canvas, 117.8 x 167.6 cm Museum of Modern Art, New York
Les Tribulations de Saint Antoine (1887)
Tag: NYC
Face à la mort des masques (1888)
Ensor, James (1860-1949) Face à la mort des masques (Masks Confronting Death) 1888 Oil on canvas, 81.3 x 100.3 cm Museum of Modern Art, New York
Ritratto d’uomo (c.1710)
Carriera, Rosalba (1675-1757) Ritratto d’uomo (Portrait of a Man) c.1710 Ivory, 76 x 59 mm Metropolitan Museum of Art, New York Carriera was known throughout Europe for her pastel portraits, but she also pioneered the use of ivory as a support…
Paesaggio con satiro (16th century)
Tiziano (c.1488-1576) Paesaggio con satiro (Landscape with a Satyr) 16th century Pen and brown ink on paper, 18.9 x 20.6 cm Frick Collection, New York
Ritratto di giovane con un cappello rosso (1510s)
Tiziano (c.1488-1576) Ritratto di giovane con un cappello rosso (Portrait of a Man in a Red Hat) 1510s Oil on canvas, 82.2 x 71.1 cm Frick Collection, New York
Pietro Aretino (c.1537)
Tiziano (c.1488-1576) Pietro Aretino c.1537 Oil on canvas, 101.9 × 85.7 cm Frick Collection, New York See also: • Aretino, Pietro (1492-1556)
Saint Rosalie Interceding for the Plague-stricken of Palermo (1624)
Van Dyck, Anthony (1599-1641) Saint Rosalie Interceding for the Plague-stricken of Palermo 1624 Oil on canvas, 99.7 x 73.7 cm Metropolitan Museum of Art, New York Van Dyck was in Palermo, Sicily, when a plague broke out and the city was quarantined.…
Virgin and Child with Saint Catherine of Alexandria (c.1630)
Van Dyck, Anthony (1599-1641) Virgin and Child with Saint Catherine of Alexandria c.1630 Oil on canvas, 109.2 x 90.8 cm Metropolitan Museum of Art, New York The infant Jesus responds with playful enthusiasm to an adoring Saint Catherine, a princess identified by…
Self-Portrait (c.1620-1621)
Van Dyck, Anthony (1599-1641) Self-Portrait c.1620–1621 Oil on canvas, 119.7 x 87.9 cm Metropolitan Museum of Art, New York Lifting a languid hand to his chin, the young Van Dyck presents himself as an aristocrat, excluding any signs of his trade…
The Adoration of the Magi (c.1475)
Bosch, Hieronymus (c.1450-1516) The Adoration of the Magi c.1475 Oil and gold on oak, 71.1 x 56.5 cm Metropolitan Museum of Art, New York This tranquil scene, with its tunneling perspective and sensitively rendered faces, is characteristic of Bosch’s works before…