Courbet, Gustave (1819-1877) Les roches d’Étretat (The Cliffs at Étretat) 1866 Oil on canvas, 90.9 x 113.3 cm National Gallery of Canada, Ottawa See also: • Étretat (France)
Guardi, Francesco (1712-1793) Veduta sul Canale di Cannaregio, Venezia (View on the Cannaregio Canal, Venice) c.1775–1780 Oil on canvas, 50 x 76.8 cm National Gallery of Art, Washington Compare: Guardi, Francesco (1712-1793) Veduta del Canale di Cannaregio a Venezia c.1770 Frick…
Guardi, Francesco (1712-1793) Veduta del Canale di Cannaregio a Venezia (View of the Cannaregio Canal in Venice) c.1770 Oil on canvas, 48.9 × 77.5 cm Frick Collection, New York Compare: Guardi, Francesco (1712-1793) Veduta sul Canale di Cannaregio, Venezia c.1775–1780 National…
Sargent, John Singer (1856-1925) The Bridge of Sighs c.1903–1904 Watercolor on paper, 25.4 x 35.6 cm Brooklyn Museum, New York Sargent used multiple techniques to create light and highlights in this work. The most obvious is the application of white impasto…
Canaletto (1697-1768) Walton Bridge 1754 Oil on canvas, 48.7 x 76.4 cm Dulwich Picture Gallery, London Compare: Turner, Joseph (1775-1851) Walton bridges c.1806 National Gallery of Victoria, Melbourne See also: • Walton-on-Thames (England)
Bellotto, Bernardo (1721-1780) Il Canal Grande verso nord-est verso il Ponte di Rialto (Grand Canal looking north-east to the Rialto Bridge) c.1738 Oil on canvas, 61 × 92.2 cm National Gallery of Victoria, Melbourne See also: • Venezia (Italia)
Van Gogh, Vincent (1853-1890) The Stevedores in Arles 1888 Oil on canvas, 54 x 65 cm Museo Thyssen-Bornemisza, Madrid When Vincent van Gogh arrived in Arles in February 1888 seeking the luminous atmosphere of the French Midi, he eschewed pointillist and…
Chagall, Marc (1887-1985) Le coq (The Cock) 1928 Oil on canvas, 81 x 65.5 cm Museo Thyssen-Bornemisza, Madrid The first owner of The Cock now in the Museo Thyssen-Bornemisza was the dealer Georges Bernheim, with whom Chagall signed a contract In 1927, marking…