Tiziano (c.1488-1576) Pietà 1575–1576 Oil on canvas, 353 x 347 cm Gallerie dell’Accademia, Venezia Detail with Titian’s self-portrait as an old man kneeling before Christ.
Pontormo (1494-1557) Giuseppe con Giacobbe in Egitto (Joseph with Jacob in Egypt) probably 1518 Oil on wood, 96.5 x 109.5 cm National Gallery, London This is one of the panels that were made to decorate the bedchamber of the banker Pierfrancesco Borgherini…
Signorelli, Luca (c.1445-1523) Uomo su una scala (Man on a Ladder) 1504–1505 Oil on wood, 88.3 × 52 cm National Gallery, London This fragment of a larger painting shows an elderly man, almost bald but for a few tufts of white…
Vasari, Giorgio (1511-1574) Tentazioni di San Gerolamo (Temptations of St. Jerome) 1541 Oil on panel, 170 x 122.5 cm Galleria Palatina, Palazzo Pitti, Firenze In accordance with a literary tradition focusing on his period of solitude in the desert, St Jerome has…
Verrocchio, Andrea del (1435-1488) San Girolamo (Saint Jerome) c.1460 Mixed media on paper glued on board, 40.5 x 27 cm Galleria Palatina, Palazzo Pitti, Firenze The figure is identified as Saint Jerome by his aged appearance, his face weathered and torso semi-nude…
Ghirlandaio, Domenico (1448-1494) Ritratto di vecchio con nipote (Portrait of an Old Man with his Grandson) 1490 Tempera on poplar wood, 62.7 x 46.3 cm Musée du Louvre, Paris It has sometimes been proposed to identify the old man with a…
Carracci, Annibale (1560-1609) Susanna e i vecchioni (Susanna and the Elders) 1604 Oil on panel, 56.8 x 86.1 cm Galleria Doria Pamphilj, Roma This is the “Casta Susanna with the two old men” on a panel by Annibale Carracci described by…
Carracci, Annibale (1560-1609) Marsia e Olimpo (Marsyas and Olympus) 1597–1600 Oil on wood, 34.4 x 84.2 cm National Gallery, London A naked golden-haired youth sits on a rock, playing the panpipes; another set of pipes hangs from the tree behind him.…
Van Eyck, Jan (c.1390-1441) Cardinal Niccolò Albergati? c.1438 Oil on oak, 34 × 29.5 cm Kunsthistorisches Museum, Vienna During a peace congress in Arras in 1435, van Eyck made a silverpoint drawing (Dresden), in which he not only recorded the physiognomy…