Van Eyck, Jan (c.1390-1441) Portrait of Cardinal Niccolò Albergati c.1435 Silverpoint on white paper, 21.4 x 18 cm Kupferstich-Kabinett, Gemäldegalerie Alte Meister, Dresden The only known drawing by the artist. It served as a preliminary drawing for Jan van Eyck‘s painting…
Tissot, James (1836-1902) Portrait de jeune femme / Berthe (Portrait of a young woman / Berthe) c.1883 Graphite pencil, pastel and paper on canvas, 73 x 59 cm Petit Palais, Paris
Tissot, James (1836-1902) Summer (‘Portrait’) 1876 Oil on canvas, 91.4 x 50.8 cm Tate Britain, London James Tissot is deliberately ambiguous here, inviting us to interpret it. His model, Miss Lloyd, stands at the entrance of a billiards’ room, a space…
Rousseau, Henri (1844-1910) La muse inspirant le poète (The Muse Inspiring the Poet) 1909 Oil on canvas, 146.2 x 96.9 cm Kunstmuseum Basel, Basel The portrait of Guillaume Apollinaire and his partner, the painter Marie Laurencin, is one of the most famous…
Vermeer, Jan (1632-1675) Woman Writing a Letter, with her Maid (Schrijvende vrouw met dienstbode) c.1670 Oil on canvas, 71.1 x 60.5 cm National Gallery of Ireland, Dublin Considered one of the principal Dutch painters, Vermeer specialised in genre scenes, many of…
Vermeer, Jan (1632-1675) A Lady writing (Schrijvende vrouw in het geel) c.1665 Oil on canvas, 45 x 39.9 cm National Gallery of Art, Washington Above all, Johannes Vermeer was a painter of light. In this exquisite painting, diffused light softly illuminates…
Vermeer, Jan (1632-1675) Girl interrupted at Her Music (Onderbreking van de muziek) c.1658–1659 Oil on canvas, 39.4 x 44.5 cm Frick Collection, New York Music-making, a recurring subject in Vermeer’s interior scenes, was associated in the seventeenth century with courtship. In…
Vermeer, Jan (1632-1675) Mistress and Maid (Dame en dienstbode) c.1666–1667 Oil on canvas, 90.2 x 78.7 cm Frick Collection, New York Vermeer chose a large canvas for this composition, which presents two women pondering a newly arrived letter. Depicting an interior…
Bellini, Giovanni (c.1430-1516) Doge Leonardo Loredan 1501–1502 Oil on poplar, 61.4 x 44.5 cm National Gallery, London Leonardo Loredan knows that he is being looked at, but he does not return our gaze. He is the doge, the ruler of the…
Bruegel the Elder, Pieter (c.1525-1569) The Painter and the Buyer (Maler und Käufer) c.1566 Pen and black ink on brown paper, 25.5 x 21.5 cm Albertina, Vienna