Parmigianino (1503-1540) Ritratto di uomo (Portrait of a Man) c.1528 Oil on panel, 58 x 46 cm Galleria Borghese, Roma This panel is first documented in connection with the Borghese Collection in 1693, when it was inventoried as a work by Parmigianino.…
Parmigianino (1503-1540) Santa Barbara (Saint Barbara) 1522 Oil on panel, 48 x 39 cm Museo del Prado, Madrid A portrait of Saint Barbara in profile on a black background. In her hands, she holds a tower, which was her symbol. A…
Parmigianino (1503-1540) La sepoltura (The Entombment) 1529–1530 Etching, 27.1 x 20.4 cm Cleveland Museum of Art, Cleveland One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…
Parmigianino (1503-1540) Due studi per la figura della Vittoria (Two Studies for Figure of Victory) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.8 × 10.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s…
Parmigianino (1503-1540) Studio per la figura della Vittoria (Study for Figure of Victory on Pectoral Brooch of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.2 × 11 cm Princeton University Art Museum, Princeton…
Parmigianino (1503-1540) Figura seduta di Pallade Atena (Seated Figure of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 5.8 × 5.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s preliminary ideas…
Parmigianino (1503-1540) Deposizione (The Entombment) c.1530 Etching and drypoint, 33.02 × 24.13 cm Milwaukee Art Museum, Milwaukee
Parmigianino (1503-1540) Ritratto di gentildonna detto La Schiava turca (Portrait of a Gentlewoman known as the Turkish slave) c.1532 Oil on panel, 68 x 53 cm Galleria Nazionale, Parma
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1529 Oil on wood, 73 x 58 cm Private collection Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1531 National Gallery, London Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1529…