Bronzino (1503-1572) Eleonora di Toledo col figlio Giovanni (Eleonora di Toledo with Her Son Giovanni) c.1545 Oil on panel, 115 x 96 cm Galleria degli Uffizi, Firenze The magnificent portrait of Eleonora di Toledo together with her second son Giovanni…
Bronzino (1503-1572) Garzia de’ Medici c.1550 Oil on panel, 48 x 38 cm Museo del Prado, Madrid This portrait of García de’ Medici (1547–1562), third son of Cosimo de’ Medici and Leonor de Toledo, is an excellent example of the…
Bronzino (1503-1572) Ritratto di Maria de’ Medici (Portrait of Maria de’ Medici) 1551 Tempera on panel, 52.5 x 38 cm Galleria degli Uffizi, Firenze See also: • Medici, Maria di Cosimo I de’ (1540-1557)
Bronzino (1503-1572) Ritratto di Bia de’ Medici (Portrait of Bia de’ Medici) c.1542–1545 Oil on panel, 63.3 x 48 cm Galleria degli Uffizi, Firenze In the late 19th century, this painting was already identified as a portrait of the “natural…
Bronzino (1503-1572) Eleonora di Toledo c.1543 Oil on panel, 59 x 46 cm National Gallery, Prague Eleanor of Toledo (1522—1562) was the daughter of the Viceroy of Naples Don Pedro de Toledo. This beautiful woman was represented by the Florentine painter…
Bronzino (1503-1572) Eleonora di Toledo c.1560 Oil on panel, 86.4 x 65.1 cm National Gallery of Art, Washington See also: • Eleonora di Toledo (1522-1562)
Bronzino (1503-1572) Allegoria del trionfo di Venere (An Allegory with Venus and Cupid) c.1545 Oil on wood, 146.1 x 116.2 cm National Gallery, London This is one of Bronzino’s most complex and enigmatic paintings. It contains a tangle of moral…
Courtois, Gustave (1853-1923) Madame Gautreau 1891 Oil on canvas, 106 x 58.5 cm Musée d’Orsay, Paris See also: • Avegno Gautreau, Virginie Amélie (1859–1915)
Corot, Jean-Baptiste-Camille (1796-1875) La Femme à la perle (Woman with a Pearl) c.1868–1870 Oil on canvas, 70 x 55 cm Musée du Louvre, Paris
Rembrandt (1606-1669) Lucretia 1666 Oil on canvas, 110.17 x 92.28 cm Minneapolis Institute of Art, Minneapolis Rembrandt tells the story of Lucretia through her solemn and saddened gaze, in the traces of blood on her gown, and the dagger in…