Tag: plant

Le Pont japonais, Giverny (1895)

Monet, Claude (1840-1926) Le Pont japonais, Giverny (Japanese Footbridge, Giverny) 1895 Oil on canvas, 78.7 × 97.8 cm Philadelphia Art Museum, Philadelphia This canvas—one of Claude Monet’s first attempts to capture his garden in paint—derives its composition and vivid hues from the…

Camille au métier (1875)

Monet, Claude (1840-1926) Camille au métier (Madame Monet Embroidering) 1875 Oil on canvas, 65.5 × 56 cm Barnes Foundation, Philadelphia Though Monet preferred painting in the open air, for this work he brought his easel indoors to capture his first wife, Camille…

Fille avec chien (1873)

Monet, Claude (1840-1926) Fille avec chien (Girl with Dog) 1873 Oil on canvas, 55.2 x 45.7 cm Barnes Foundation, Philadelphia Painted a year before the first impressionist exhibition in Paris, this canvas has all the characteristics that would become associated with the…

Café-Concert (1876-1877)

Degas, Edgar (1834-1917) Café-Concert 1876–1877 Pastel over monotype and charcoal (in sticks of fan) on tan laid paper and board, 23.5 x 43.2 cm National Gallery of Art, Washington

Concert au Casino de Deauville (1865)

Boudin, Eugène (1824-1898) Concert au Casino de Deauville (Concert at the Casino of Deauville) 1865 Oil on canvas, 41.7 x 73 cm National Gallery of Art, Washington See also: • Deauville (France)

Le Service à thé (1872)

Monet, Claude (1840-1926) Le Service à thé (Still Life, Tea Service) 1872 Oil on canvas, 53.34 × 72.71 cm Dallas Museum of Art, Dallas Although he is primarily known for his landscapes, Claude Monet was also a prodigious still-life painter, especially during…

Peasant Woman Cooking by a Fireplace (1885)

Van Gogh, Vincent (1853-1890) Peasant Woman Cooking by a Fireplace 1885 Oil on canvas, 44.1 x 38.1 cm Metropolitan Museum of Art, New York This work was made in Nuenen in late spring 1885, just after Van Gogh completed The Potato Eaters…

Baigneuse dans les bois (1895)

Pissarro, Camille (1830-1903) Baigneuse dans les bois (Bather in the Woods) 1895 Oil on canvas, 60.3 x 73 cm Metropolitan Museum of Art, New York In summer 1893 Pissarro wrote his son Lucien that he was planning a series of canvases of nude…