Monet, Claude (1840-1926) Le Pont japonais, Giverny (Japanese Footbridge, Giverny) 1895 Oil on canvas, 78.7 × 97.8 cm Philadelphia Art Museum, Philadelphia This canvas—one of Claude Monet’s first attempts to capture his garden in paint—derives its composition and vivid hues from the…
Monet, Claude (1840-1926) Camille au métier (Madame Monet Embroidering) 1875 Oil on canvas, 65.5 × 56 cm Barnes Foundation, Philadelphia Though Monet preferred painting in the open air, for this work he brought his easel indoors to capture his first wife, Camille…
Monet, Claude (1840-1926) Fille avec chien (Girl with Dog) 1873 Oil on canvas, 55.2 x 45.7 cm Barnes Foundation, Philadelphia Painted a year before the first impressionist exhibition in Paris, this canvas has all the characteristics that would become associated with the…
Degas, Edgar (1834-1917) Café-Concert 1876–1877 Pastel over monotype and charcoal (in sticks of fan) on tan laid paper and board, 23.5 x 43.2 cm National Gallery of Art, Washington
Boudin, Eugène (1824-1898) Concert au Casino de Deauville (Concert at the Casino of Deauville) 1865 Oil on canvas, 41.7 x 73 cm National Gallery of Art, Washington See also: • Deauville (France)
Monet, Claude (1840-1926) Le Service à thé (Still Life, Tea Service) 1872 Oil on canvas, 53.34 × 72.71 cm Dallas Museum of Art, Dallas Although he is primarily known for his landscapes, Claude Monet was also a prodigious still-life painter, especially during…
Van Gogh, Vincent (1853-1890) Peasant Woman Cooking by a Fireplace 1885 Oil on canvas, 44.1 x 38.1 cm Metropolitan Museum of Art, New York This work was made in Nuenen in late spring 1885, just after Van Gogh completed The Potato Eaters…
Pissarro, Camille (1830-1903) Baigneuse dans les bois (Bather in the Woods) 1895 Oil on canvas, 60.3 x 73 cm Metropolitan Museum of Art, New York In summer 1893 Pissarro wrote his son Lucien that he was planning a series of canvases of nude…
Memling, Hans (c.1430-1494) Virgin and Child with Saints Catherine of Alexandria and Barbara early 1480s Oil on wood, 68.3 x 73.3 cm Metropolitan Museum of Art, New York Memling adapted this composition from a large, celebrated altarpiece that he completed in 1479…