Tag: reclining

La Vénus couchée d’Urbino, d’après le Titien (1822)

Ingres, Jean Auguste Dominique (1780-1867) La Vénus couchée d’Urbino, d’après le Titien (Reclining Venus of Urbino, after Titian) 1822 Oil on canvas, 116 x 168 cm Walters Art Museum, Baltimore Compare: Tiziano (c.1488-1576) Venere di Urbino 1538 Galleria degli Uffizi, Firenze    

L’Odalisque à l’esclave (1842)

Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1842 Oil on canvas, 76 x 105 cm Walters Art Museum, Baltimore This is a replica of the 1839 painting in the Fogg Museum, Cambridge. The landscape in the background was…

L’Odalisque à l’esclave (1839-1840)

Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1839–1840 Oil on canvas, 72.1 x 100.3 cm Fogg Museum, Cambridge, MA Compare: Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave 1842 Walters Art Museum, Baltimore    

Ninfa e pastore (c.1570-1575)

Tiziano (c.1488-1576) Ninfa e pastore (Nymph and shepherd) c.1570–1575 Oil on canvas, 149.6 × 187 cm Kunsthistorisches Museum, Vienna The theme on which the picture is based has not yet been satisfactorily clarified, but Titian raised it to the mythical level…

Reclining Figure (1935-1936)

Moore, Henry (1898-1986) Reclining Figure 1935–1936 Elm wood, 48.26 x 93.34 x 44.45 cm Buffalo AKG Art Museum, Buffalo In 1924 Henry Moore began exploring the theme of the reclining figure, and he eventually began seeing parallels between the motif and…

Portrait de Madame Manet sur un canapé bleu (1874)

Manet, Édouard (1832-1883) Portrait de Madame Manet sur un canapé bleu (Portrait of Madame Manet on a blue sofa) 1874 Pastel on paper mounted on canvas, 49 x 60 cm Musée d’Orsay, Paris Collection Madame Manet Collection Ambroise Vollard Collection Edgar…

Jeune femme couchée en costume espagnol (1862-1863)

Manet, Édouard (1832-1883) Jeune femme couchée en costume espagnol (Reclining Young Woman in Spanish Costume) 1862–1863 Oil on canvas, 94.7 × 113.7 cm Yale University Art Gallery, New Haven Manet dedicates the painting “To my friend Nadar”. See also: • Nadar (1820-1910)

La Femme à l’éventail (1862)

Manet, Édouard (1832-1883) La Femme à l’éventail ou La Maîtresse de Baudelaire (The Woman with a Fan or Baudelaire’s Mistress) 1862 Oil on canvas, 45.5 x 26.5 cm Museum of Fine Arts, Budapest Study: Manet, Édouard (1832-1883) La Maîtresse de Baudelaire c.1862 Kunsthalle…