Géricault, Théodore (1791-1824) Cheval effrayé par la foudre (A Horse frightened by Lightning) c.1813–1814 Oil on canvas, 48.9 × 60.3 cm National Gallery, London Jean-Louis-André-Théodore Géricault was a keen horseman, and his passion for horses was matched by his expert understanding…
Gainsborough, Thomas (1727-1788) Portrait of the Artist with his Wife and Daughter c.1748 Oil on canvas, 92.1 × 70.5 cm National Gallery, London This is the earliest known self portrait in oil by Gainsborough, and the only known one of him with…
El Greco (1541-1614) Cristo expulsando a los mercaderes del templo (Christ driving the Traders from the Temple) c.1600 Oil on canvas, 106.3 × 129.7 cm National Gallery, London El Greco has used theatrical gestures and intense colours to express the chaos and…
Alma-Tadema, Lawrence (1836-1912) A Priestess of Apollo c.1888 Oil on canvas, 34.9 x 29.8 cm Tate Britain, London In Roman mythology, Apollo was the sun god who lived in Mount Olympus, and who, in the guise of the sun, rode his…
Puvis de Chavannes, Pierre (1824-1898) Le bosquet sacré, bien-aimé des arts et des muses (The Sacred Grove, Beloved of the Arts and the Muses) 1884–1889 Oil on canvas, 93 × 231 cm Art Institute of Chicago, Chicago The indeterminately mythological figures that…
Pissarro, Camille (1830-1903) Femme baignant ses pieds dans un ruisseau (Woman Bathing Her Feet in a Brook) 1894–1895 Oil on canvas, 73 × 92 cm Art Institute of Chicago, Chicago Camille Pissarro referred to this painting in a letter of November…
Millais, John Everett (1829-1896) Bridge of Sighs 1858 Etching on ivory chine, laid down on ivory wove paper, 17.6 × 12.5 cm Art Institute of Chicago, Chicago The etching was made as an illustration to Thomas Hood’s poem ‘The Bridge of Sighs’,…
Boudin, Eugène (1824-1898) Lavandières au bord de l’étang (Washerwomen at the Edge of the Pond) c.1880 Oil on panel, 18.4 × 24.8 cm Art Institute of Chicago, Chicago
Andrea del Sarto (1486-1530) Domenico di Jacopo di Matteo, called ‘Becuccio Bicchieraio’ c.1528–1530 Oil on panel, 86 x 67 cm Scottish National Gallery, Edinburgh Compare: Andrea del Sarto (1486-1530) Domenico da Gambassi c.1525–1528 Art Institute of Chicago, Chicago See also: • Gambassi,…
Veronese, Paolo (1528-1588) Il martirio e l’ultima comunione di Santa Lucia (The Martyrdom and Last Communion of Saint Lucy) 1585–1586 Oil on canvas, 139.7 x 173.4 cm National Gallery of Art, Washington While exposing her breast to the thrust of the dagger…