Corot, Jean-Baptiste-Camille (1796-1875) Étang à Ville-d’Avray (Pond at Ville-d’Avray) late 1860s Oil on fabric, 58.1 x 99.4 cm Cleveland Museum of Art, Cleveland The dreamlike quality of the painting reflects Corot’s desire to reproduce the “first Impression” of the landscape. Corot…
Caillebotte, Gustave (1848-1894) Villas à Trouville (Villas at Trouville) 1884 Oil on canvas, 66 x 81.3 cm Cleveland Museum of Art, Cleveland Gustave Caillebotte painted this view of villas at Trouville, a small town on the Normandy coast, using the distinctive…
Bracquemond, Félix (1833-1914) Le Bain (The Bath) c.1900 Brush, ink, chalk and gouache, 59.1 x 44 cm Cleveland Museum of Art, Cleveland Bracquemond drew extensively and promoted the medium as the source of all artistic practice. This drawing relates to Félix…
Guillemet, Antoine (1841-1918) Le Soir (The Evening) 1903 Oil on panel, 57 x 90 cm Musée d’Orsay, Paris
Tissot, James (1836-1902) Mauvaises nouvelles, la séparation (Bad News, The parting) 1872 Oil on canvas, 68.6 x 91.4 cm National Museum Wales, Cardiff Compare: Tissot, James (1836-1902) Le Thé 1872 Metropolitan Museum of Art, New York Tissot, James (1836-1902) Une histoire intéressante c.1872…
Tissot, James (1836-1902) Le Thé (Tea) 1872 Oil on wood, 66 x 47.9 cm Metropolitan Museum of Art, New York When Tissot moved to London in 1871, he immersed himself in the local scene, with work for Vanity Fair and genre…
Tissot, James (1836-1902) Matin de printemps (Spring Morning) c.1875 Oil on canvas, 55.9 x 42.5 cm Metropolitan Museum of Art, New York The light on this spring day is so bright that the woman shields her eyes from the glare. She…
Flinck, Govert (1615-1660) A Young Woman as a Shepherdess s.d. Oil on canvas, transferred from wood, 66.7 x 50.5 cm Metropolitan Museum of Art, New York Inscribed (lower right): Rembrandt f. / 1632. Like many of Rembrandt’s other pupils, Govert Flinck…
Daubigny, Charles-François (1817-1878) Paysage avec un ruisseau ensoleillé (Landscape with a Sunlit Stream) c.1877 Oil on canvas, 63.8 x 47.9 cm Metropolitan Museum of Art, New York Daubigny began exhibiting his work regularly at the Salon in 1838, and by the…
Sargent, John Singer (1856-1925) The Bridge of Sighs c.1903–1904 Watercolor on paper, 25.4 x 35.6 cm Brooklyn Museum, New York Sargent used multiple techniques to create light and highlights in this work. The most obvious is the application of white impasto…