Bonnard, Pierre (1867-1947) Baigneuse, de dos (Bathing Woman, Seen from the Back) c.1919 Oil on canvas, 44.1 × 34.6 cm Tate Britain, London The bather was almost certainly Bonnard‘s companion and wife-to-be Marthe, who was the artist’s constant and favourite model. Like…
Sisley, Alfred (1839-1899) L’Inondation à Port-Marly (The Flood at Port-Marly) 1876 Oil on canvas, 60 x 80 cm Musée des Beaux-Arts, Rouen Sisley settled in Marly-le-Roi in the spring of 1875 and stayed for three years, so he was there to…
Sisley, Alfred (1839-1899) L’Inondation à Port-Marly (The Flood at Port-Marly) 1876 Oil on canvas, 60 x 81 cm Musée d’Orsay, Paris © RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski Compare: Sisley, Alfred (1839-1899) L’Inondation à Port-Marly 1876 Musée des Beaux-Arts, Rouen …
Bellotto, Bernardo (1721-1780) Capriccio con fiume e ponte (Capriccio with a River and Bridge) c.1745 Oil on canvas, 48.5 x 73 cm Museo Thyssen-Bornemisza, Madrid Bernardo Bellotto, Canaletto’s pupil and nephew, was together with his uncle one of the great painters…
Bellini, Giovanni (c.1430-1516) Nunc Dimittis (Now You let depart) c.1505–1510 Oil on panel, 62 x 82.5 cm Museo Thyssen-Bornemisza, Madrid Considered in his later years to be the greatest Venetian painter of his time, Giovanni Bellini was the teacher of the…
Poussin, Nicolas (1594-1665) Moïse sauvé des eaux (Moses saved from the waters) c.1638 Oil on canvas, 94 x 121 cm Musée du Louvre, Paris Featuring one of Nicolas Poussin‘s favorite subjects, this painting was very popular in the 17th century. It…
Rubens, Peter Paul (1577-1640) The Rainbow Landscape c.1636 Oil on oak panel, 135.6 x 235 cm Wallace Collection, London
Daubigny, Charles-François (1817-1878) Bateaux sur l’Oise (Boats on the Oise) 1865 Oil on wood, 38.5 x 66.5 cm Musée du Louvre, Paris
Carpaccio, Vittore (c.1460-c.1526) Sacra Conversazione (Holy Conversation) c.1500 Oil on poplar, 98 x 127 cm Musée du Louvre, Paris Inscription: A. VICTORE CARPATHIO FICTI
Tiziano (c.1488-1576) La Bella (Portrait of a Lady) 1536–1538 Oil on canvas, 89 × 75.5 cm Galleria Palatina, Palazzo Pitti, Firenze The female portrait, known by its complimentary epithet “La Bella”, is one of the most famous paintings of the later years of…